The Literature/film Reader: Issues of AdaptationFrom examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history often a separate category of film study can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies." |
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Pagina 19
This inquiry is remote from the central inquiry of academic film studies, which
from its beginnings had staked its insurgent disciplinary claims by rejecting the
aesthetic appreciation of literature and developing a competing methodology of ...
This inquiry is remote from the central inquiry of academic film studies, which
from its beginnings had staked its insurgent disciplinary claims by rejecting the
aesthetic appreciation of literature and developing a competing methodology of ...
Pagina 57
The particular style of presentation employed here marks out the importance of
the televisual context to the aesthetic choices of the adaptation. Aesthetic
Concerns Finally, and briefly, for a full and responsive interpretation of this
adaptation, ...
The particular style of presentation employed here marks out the importance of
the televisual context to the aesthetic choices of the adaptation. Aesthetic
Concerns Finally, and briefly, for a full and responsive interpretation of this
adaptation, ...
Pagina 63
In his article "Art and the Domain of the Aesthetic," Carroll describes the
necessary attitude of the critic to the artwork as "disinterested and sympathetic
attention." 7. Chapter 7 in Adaptation Revisited (Cardwell, 2002) explores the
serial Moll ...
In his article "Art and the Domain of the Aesthetic," Carroll describes the
necessary attitude of the critic to the artwork as "disinterested and sympathetic
attention." 7. Chapter 7 in Adaptation Revisited (Cardwell, 2002) explores the
serial Moll ...
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Inhoudsopgave
It Wasnt Like That in the Book | 3 |
Purposes | 51 |
Imaging MobyDick in 1956 and 2001 | 65 |
Copyright | |
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The Literature/film Reader: Issues of Adaptation James Michael Welsh,Peter Lev Gedeeltelijke weergave - 2007 |
Veelvoorkomende woorden en zinsdelen
adaptation studies aesthetic Alamo American Apocalypse approach argues audience Branagh's camera Camille Camille Claudel canonical character cinema classic Claudel close-up context course Crockett cultural literacy Davies Davies's director Dracula Dwight English essays example fiction fidelity criticism film adaptation film studies film's filmmakers Fowler Francis Ford Coppola genre Green Berets Greene's Heart of Darkness Heinlein Hirsch Hitchcock Hollywood House of Mirth ideas intertextual James John John Milius Kurtz Leitch literary literature Louis Blues Luhrmann's Romeo Madeleine Manchurian Candidate Mankiewicz medium Michael Milius mise-en-scene Moby-Dick monomyth movie myth narrative narrator novel original Pintilie play plot political popular post-structuralist postmodern Pyle Quantrill Quiet American readers reading Romanian Romeo and Juliet scene scholars screen screenplay screenwriter Selznick sense Shakespeare shot song source texts Stam Starship Troopers story television theory tion Toby traditional University Press Vietnam visual Willard writing York