The Literature/film Reader: Issues of AdaptationFrom examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history often a separate category of film study can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies." |
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Pagina 172
... "The Legend of Sleepy Hollow," turning it into a loathsome bloodbath and
turning Ichabod Crane into a goofy forensic detective sent from New York City to
investigate mysterious multiple decapitations occurring outside Tarrytown, New
York.
... "The Legend of Sleepy Hollow," turning it into a loathsome bloodbath and
turning Ichabod Crane into a goofy forensic detective sent from New York City to
investigate mysterious multiple decapitations occurring outside Tarrytown, New
York.
Pagina 282
In a remarkably prescient statement published during his New York sojourn,
1892-1895, Antonin DvorSk (1895) defined what he called the "the music of the
people" as deriving from "all the races that are commingled in this great country.
In a remarkably prescient statement published during his New York sojourn,
1892-1895, Antonin DvorSk (1895) defined what he called the "the music of the
people" as deriving from "all the races that are commingled in this great country.
Pagina 297
CHAPTER TWENTY-ONE Getting It Right: The Alamo on Film Frank Thompson In
January 1910, the New York-based Star Film Company came to San Antonio,
Texas, in search of sunny "winter quarters" in which to make moving pictures.
CHAPTER TWENTY-ONE Getting It Right: The Alamo on Film Frank Thompson In
January 1910, the New York-based Star Film Company came to San Antonio,
Texas, in search of sunny "winter quarters" in which to make moving pictures.
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Inhoudsopgave
It Wasnt Like That in the Book | 3 |
Purposes | 51 |
Imaging MobyDick in 1956 and 2001 | 65 |
Copyright | |
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The Literature/film Reader: Issues of Adaptation James Michael Welsh,Peter Lev Gedeeltelijke weergave - 2007 |
Veelvoorkomende woorden en zinsdelen
adaptation studies aesthetic Alamo American Apocalypse approach argues audience Branagh's camera Camille Camille Claudel canonical character cinema classic Claudel close-up context course Crockett cultural literacy Davies Davies's director Dracula Dwight English essays example fiction fidelity criticism film adaptation film studies film's filmmakers Fowler Francis Ford Coppola genre Green Berets Greene's Heart of Darkness Heinlein Hirsch Hitchcock Hollywood House of Mirth ideas intertextual James John John Milius Kurtz Leitch literary literature Louis Blues Luhrmann's Romeo Madeleine Manchurian Candidate Mankiewicz medium Michael Milius mise-en-scene Moby-Dick monomyth movie myth narrative narrator novel original Pintilie play plot political popular post-structuralist postmodern Pyle Quantrill Quiet American readers reading Romanian Romeo and Juliet scene scholars screen screenplay screenwriter Selznick sense Shakespeare shot song source texts Stam Starship Troopers story television theory tion Toby traditional University Press Vietnam visual Willard writing York