The Literature/film Reader: Issues of AdaptationFrom examinations of Francis Ford Coppola's Apocalypse Now to Alfred Hitchcock's Vertigo, The Literature Film Reader: Issues of Adaptation covers a wide range of films adapted from other sources. The first section presents essays on the hows and whys of adaptation studies, and subsequent sections highlight films adapted from a variety of sources, including classic and popular literature, drama, biography, and memoir. The last section offers a new departure for adaptation studies, suggesting that films about history often a separate category of film study can be seen as adaptations of records of the past. The anthology concludes with speculations about the future of adaptation studies. Several essays provide detailed analyses of films, in some cases discussing more than one adaptation of a literary or dramatic source, such as The Manchurian Candidate, The Quiet American, and Romeo and Juliet. Other works examined include Moby Dick, The House of Mirth, Dracula, and Starship Troopers, demonstrating the breadth of material considered for this anthology. Although many of the essays appeared in Literature/Film Quarterly, more than half are original contributions. Chosen for their readability, these essays avoid theoretical jargon as much as possible. For this reason alone, this collection should be of interest to not only cinema scholars but to anyone interested in films and their source material. Ultimately, The Literature Film Reader: Issues of Adaptation provides an excellent overview of this critical aspect of film studies." |
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Pagina 119
In both Branagh's Hamlet and Luhrmann's Romeo + Juliet, cross-cutting
produces the double vision of "how it might otherwise end" by editing an "unseen
" into the original endings. Luhrmann creates the contestational space of a
possible ...
In both Branagh's Hamlet and Luhrmann's Romeo + Juliet, cross-cutting
produces the double vision of "how it might otherwise end" by editing an "unseen
" into the original endings. Luhrmann creates the contestational space of a
possible ...
Pagina 136
Various elements of Luhrmann's film (the popular culture references, the
symbolism, the setting, music, and camerawork) comprise a composite art of
storytelling. The film claims and ... But Luhrmann's Romeo + Juliet "places" 136 ~
Elsie Walker.
Various elements of Luhrmann's film (the popular culture references, the
symbolism, the setting, music, and camerawork) comprise a composite art of
storytelling. The film claims and ... But Luhrmann's Romeo + Juliet "places" 136 ~
Elsie Walker.
Pagina 138
The setting for Luhrmann's Romeo + Juliet is especially interesting in comparison
with the "safer," "museum-piece," fifteenth-century Italianate settings for Cukor's,
Castellani's, and Zeffirelli's films of the same play (dated 1936, 1954, and 1967, ...
The setting for Luhrmann's Romeo + Juliet is especially interesting in comparison
with the "safer," "museum-piece," fifteenth-century Italianate settings for Cukor's,
Castellani's, and Zeffirelli's films of the same play (dated 1936, 1954, and 1967, ...
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Inhoudsopgave
It Wasnt Like That in the Book | 3 |
Purposes | 51 |
Imaging MobyDick in 1956 and 2001 | 65 |
Copyright | |
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The Literature/film Reader: Issues of Adaptation James Michael Welsh,Peter Lev Gedeeltelijke weergave - 2007 |
Veelvoorkomende woorden en zinsdelen
adaptation studies aesthetic Alamo American Apocalypse approach argues audience Branagh's camera Camille Camille Claudel canonical character cinema classic Claudel close-up context course Crockett cultural literacy Davies Davies's director Dracula Dwight English essays example fiction fidelity criticism film adaptation film studies film's filmmakers Fowler Francis Ford Coppola genre Green Berets Greene's Heart of Darkness Heinlein Hirsch Hitchcock Hollywood House of Mirth ideas intertextual James John John Milius Kurtz Leitch literary literature Louis Blues Luhrmann's Romeo Madeleine Manchurian Candidate Mankiewicz medium Michael Milius mise-en-scene Moby-Dick monomyth movie myth narrative narrator novel original Pintilie play plot political popular post-structuralist postmodern Pyle Quantrill Quiet American readers reading Romanian Romeo and Juliet scene scholars screen screenplay screenwriter Selznick sense Shakespeare shot song source texts Stam Starship Troopers story television theory tion Toby traditional University Press Vietnam visual Willard writing York