Exploring Bach's B-minor Mass
The B-minor Mass has always represented a fascinating challenge to musical scholarship. Composed over the course of the composer's life, it is considered by many to be Johann Sebastian Bach's greatest and most complex work. The fourteen essays assembled in this volume originate from the International Symposium 'Understanding Bach's B-minor mass' in 2007 at which seventy scholars from eighteen countries gathered to debate the latest topics in the field. In revised and updated form, they form a through and systematic study of Bach's Opus Ultimum, including a wide range of discussions relating to the Mass's historical background and contexts, structure and proportion, sources and editions, and the reception of the work in the late eighteenth and early nineteenth centuries. In the light of important new developments in the study of the piece, this collection demonstrates the innovation and rigor for which Bach scholarship has become known.
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Catholic or Lutheran? 21
Bachs Missa BWV 232I in the context of Catholic Mass
The role and signiﬁcance of the polonaise in the Quoniam
Bach Count Questenberg and
Some observations on the formal design of Bachs Bminor
Parallel proportions numerical structures and Harmonie
editing Bachs Bminor
a new source
Overige edities - Alles weergeven
Agnus Agnus Dei aria B-minor Mass Bach’s autograph score Bach’s B-minor Mass Bach’s Mass bass BDok Benedictus Berlin Breitkopf C. P. E. Bach Caeciliae cantata Catholic century choir choral chorus church composed composition concert Conﬁteor continuo copy copyist Credo Cruciﬁxus D-Dl Dismas Zelenka Domine Deus Dona nobis pacem Dresden edition expecto ﬁgure ﬁnal ﬁrst ﬁve ﬂute Frankfurt manuscript fugue Gloria Gratias Handel Haydn’s incarnatus instrumental issa J. S. Bach Jan Dismas Zelenka Johann Sebastian Bach Kyrie Leipzig liturgical Luther’s Lutheran major Mendelssohn minor Missa movements Mozart Musicalische Congregation musicians Musik NBA KB number of bars oboe orchestra Osanna performance polonaise Prague proportion Questenberg Quoniam reﬂected repertoire resurrexit Riﬂ<in Sancto Spiritu Sanctus Schelble signiﬁcant slurs Smend solo soprano sources speciﬁcally St Cecilia St Matthew Passion St Petersburg manuscript stile antico Stockigt structure Symbolum Nicenum tollis trumpets unum Vienna Viennese vocal Wolff