The Lives of the Most Eminent English Poets;: With Critical Observations on Their Works, Volume 2C. Bathurst, J. Buckland, W. Strahan, J. Rivington and Sons, T. Davies, T. Payne, L. Davis, W. Owen, B. White, S. Crowder, T. Caslon, T. Longman, B. Law, C. Dilly, J. Dodsley, J. Wilkie, J. Robson, J. Johnson, T. Lowndes, G. Robinson, T. Cadell, J. Nichols, E. Newbery, T. Evans, P. Elmsly, R. Baldwin, G. Nicol, Leigh and Sotheby, J. Bew, N. Conant, W. Nicoll, J. Murray, S. Hayes, W. Fox, and J. Bowen., 1783 |
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Pagina 4
... Dryden , like the other panegyrifts of ufurpation , changed his opinion , or his profeffion , and published ASTREA REDUX , a poem on the happy reftor- ation and return of his moft facred Majefty King Charles the Second . The reproach of ...
... Dryden , like the other panegyrifts of ufurpation , changed his opinion , or his profeffion , and published ASTREA REDUX , a poem on the happy reftor- ation and return of his moft facred Majefty King Charles the Second . The reproach of ...
Pagina 8
... Charles the Se- cond , who had formed his tafte by the French theatre ; and Dryden , who wrote , and made no difficulty of declaring that he wrote , only to please , and who perhaps knew that by his dexterity of verfification he was ...
... Charles the Se- cond , who had formed his tafte by the French theatre ; and Dryden , who wrote , and made no difficulty of declaring that he wrote , only to please , and who perhaps knew that by his dexterity of verfification he was ...
Pagina 11
... Charles the First , from an hundred marks to one hundred pounds a year , and a tierce of wine ; a revenue in those ... DRYDEN . 11.
... Charles the First , from an hundred marks to one hundred pounds a year , and a tierce of wine ; a revenue in those ... DRYDEN . 11.
Pagina 37
... Dryden , and who is mentioned by him with fome difrefpect in the preface to Juvenal . The Afignation , or Love in a ... Charles Sedley ; in which he finds an opportunity for his ufual complaint of hard treatment and unreafonable cenfure ...
... Dryden , and who is mentioned by him with fome difrefpect in the preface to Juvenal . The Afignation , or Love in a ... Charles Sedley ; in which he finds an opportunity for his ufual complaint of hard treatment and unreafonable cenfure ...
Pagina 46
... Dryden , perhaps is true ; but give me leave to tell you , that you are no hero . King Arthur is another opera . It was the last work that Dryden performed for King Charles , who did not live to fee it exhibit- ed ; and it does not seem ...
... Dryden , perhaps is true ; but give me leave to tell you , that you are no hero . King Arthur is another opera . It was the last work that Dryden performed for King Charles , who did not live to fee it exhibit- ed ; and it does not seem ...
Overige edities - Alles bekijken
The Lives of the Most Eminent English Poets: With Critical ..., Volume 2 Samuel Johnson Volledige weergave - 1821 |
The Lives of the Most Eminent English Poets: With Critical ..., Volume 2 Samuel Johnson Volledige weergave - 1839 |
The lives of the most eminent English poets; with critical ..., Volume 2 Samuel Johnson Volledige weergave - 1864 |
Veelvoorkomende woorden en zinsdelen
Addiſon afterwards againſt almoſt anſwer becauſe beſt Cato cenfure character Charles Dryden compofitions confidered converfation criticiſm criticks defign defired diction diſcover Dryden duke eafily earl elegant Engliſh excellence faid fame fatire favour fays fecond feems fent fentiments fhall fhew fince firft firſt fome fomething fometimes foon friends ftill ftudies fubject fuch fuffered fufficient fuppofed genius Hiftory himſelf houſe intereft itſelf John Dryden juſt king laft laſt leaſt lefs leſs lord maſter ment moft moſt muſt neceffary never obferved occafion paffages paffed paffions paſs perfon perhaps play pleaſe pleaſure poem poet poetical poetry Pope praiſe prefent profe promiſe publick publiſhed purpoſe racter raiſed reaſon rhyme ſays ſcene ſeems Sempronius ſeveral ſhall ſhould ſome ſtage ſtory ſtudy ſuch ſuppoſed Syphax Tatler thefe theſe thofe thoſe thought tion tragedy tranflated Tyrannick Love uſed verfes verfion verſes Virgil Whig whofe whoſe write written
Populaire passages
Pagina 428 - I never heard of the man in my life, yet I find your name as a subscriber. He is too grave a poet for me; and I think among the Mediocrists, in prose as well as verse.
Pagina 169 - Works of imagination excel by their allurement and delight ; by their power of attracting and detaining the attention. That book is good in vain, which the reader throws away. He only is the master, who keeps the mind in pleasing captivity; whose pages are perused with eagerness, and in hope of new pleasure are perused again ; and whose conclusion is perceived with an eye of sorrow, such as the traveller casts upon departing day.
Pagina 420 - What he attempted, he performed ; he is never feeble, and he did not wish to be energetic ; he is never rapid, and he never stagnates. His sentences have neither studied amplitude, nor affected brevity ; his periods, though not diligently rounded, are voluble and easy. Whoever wishes to attain an English style, familiar but not coarse, and elegant but not ostentatious, must give his days and nights to the volumes of Addison.
Pagina 364 - Tories in the last reign ; an act of authority violent enough, yet certainly legal, and by no means to be compared with that contempt of national right with which, some time afterwards, by the instigation of Whiggism, the Commons, chosen by the people for three years, chose themselves for seven.
Pagina 348 - This, says Pope *, had been tried for the first time in favour of the Distrest Mother; and was now, with more efficacy, practised for Cato. The danger was soon over. The whole nation was at that time on fire with faction. The Whigs applauded every line in which liberty was mentioned, as a satire on the Tories ; and the Tories echoed every clap, to show that the satire was unfelt.
Pagina 148 - FROM harmony, from heavenly harmony, This universal frame began : When nature underneath a heap Of jarring atoms lay, And could not heave her head, The tuneful voice was heard from high, Arise, ye more than dead. Then cold, and hot, and moist, and dry, In order to their stations leap, And Music's power obey. From harmony, from heavenly harmony This universal frame began : From harmony to harmony, Through all the compass of the notes it ran, The diapason closing full in Man.
Pagina 188 - Perhaps no nation ever produced a writer that enriched his language with such variety of models. To him we owe the improvement, perhaps the completion, of our metre, the refinement of our language, and much of the correctness of our sentiments.
Pagina 112 - Of him that knows much, it is natural to suppose that he has read with diligence; yet I rather believe that the knowledge of Dryden was gleaned from accidental intelligence and various conversation, by a quick apprehension, a judicious selection, and a happy memory, a keen appetite of knowledge, and a powerful digestion...
Pagina 114 - They have not the formality of a settled style, in which the first half of the sentence betrays the other. The clauses are never balanced, nor the periods modelled: every word seems to drop by chance, though it falls into its proper place. Nothing is cold or languid; the whole is airy, animated, and vigorous; what is little, is gay; what is great, is splendid.
Pagina 208 - Whether our English audience have been pleased hitherto with, acorns, as he calls it, or with bread, is the next question ; that is, whether the means which Shakspeare and Fletcher have used in their plays to raise those passions before named, be better applied to the ends by the Greek poets than by them.