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Pagina
ARTICULATION 1. Oral Position of Consonants ( 1 ) Labials ( 2 ) Linguals ( 3 ) Palatals 2. Cognates 3. Exercises in Articulation SECTION III . SYLLABICATION 1. Syllables as to Etymology and Euphony 2. Syllables as to Number 3.
ARTICULATION 1. Oral Position of Consonants ( 1 ) Labials ( 2 ) Linguals ( 3 ) Palatals 2. Cognates 3. Exercises in Articulation SECTION III . SYLLABICATION 1. Syllables as to Etymology and Euphony 2. Syllables as to Number 3.
Pagina vi
ARTICULATION 1. Oral Position of Consonants ( 1 ) Labials ( 2 ) Linguals ( 3 ) Palatals 2. Cognates 3. Exercises in Articulation SECTION III . SYLLABICATION 1. Syllables as to Etymology and Euphony 2. Syllables as to Number 3.
ARTICULATION 1. Oral Position of Consonants ( 1 ) Labials ( 2 ) Linguals ( 3 ) Palatals 2. Cognates 3. Exercises in Articulation SECTION III . SYLLABICATION 1. Syllables as to Etymology and Euphony 2. Syllables as to Number 3.
Pagina xv
Exercises in articulation , voice and action necessary to the highest perfection in public speaking have an agreeable effect upon the conversational voice PAGE 16 CHAPTER III . PRONUNCIATION I. PHONETIC SOUNDS .
Exercises in articulation , voice and action necessary to the highest perfection in public speaking have an agreeable effect upon the conversational voice PAGE 16 CHAPTER III . PRONUNCIATION I. PHONETIC SOUNDS .
Pagina xv
ARTICULATION 1. Oral Position of Consonants ( 1 ) Labials ( 2 ) Linguals ( 3 ) Palatals 2. Cognates 3. Exercises in Articulation SECTION III . SYLLABICATION 1. Syllables as to Etymology and Euphony 2. Syllables as to Number 3.
ARTICULATION 1. Oral Position of Consonants ( 1 ) Labials ( 2 ) Linguals ( 3 ) Palatals 2. Cognates 3. Exercises in Articulation SECTION III . SYLLABICATION 1. Syllables as to Etymology and Euphony 2. Syllables as to Number 3.
Pagina 1
Exercises in articulation , voice and action necessary to the highest perfection in public speaking have an agreeable effect upon the conversational voice а and manner . The tones are deepened , the I (1) The Semitone Question for ...
Exercises in articulation , voice and action necessary to the highest perfection in public speaking have an agreeable effect upon the conversational voice а and manner . The tones are deepened , the I (1) The Semitone Question for ...
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Essentials of Public Speaking: For Secondary Schools Robert Irving Fulton,Thomas Clarkson Trueblood Volledige weergave - 1910 |
Essentials of Public Speaking: For Secondary Schools Robert Irving Fulton,Thomas Clarkson Trueblood Volledige weergave - 1910 |
Essentials of Public Speaking: For Secondary Schools Robert Irving Fulton,Thomas Clarkson Trueblood Volledige weergave - 1910 |
Veelvoorkomende woorden en zinsdelen
Accent action articulation Attitude audience becomes blood body breath child clear close coming consonants continuant dead deep Direct elements Emotive Emphasis equal exercise Explosive expression Expulsive eyes face fall feeling foot Force Form forward gesture give given hand head hear heard heart idea illustrating Lady language length liberty light lines lives look marked means Mental mind move Movement muscles nature never night notes once organs Pauses Phrases Pitch placed Plane Position practice principles Quality Quantity relation require resonance Ring scale Second seen selection sense sentence sentiment Shakespeare short side song sound speaker speaking speech stand star Stress strong student syllables things thou thought tone turned utterance Vital vocal voice vowels Waves words
Populaire passages
Pagina 192 - O, pardon me, thou bleeding piece of earth, That I am meek and gentle with these butchers; Thou art the ruins of the noblest man That ever lived in the tide of times.
Pagina 189 - tis his will: Let but the commons hear this testament— Which, pardon me, I do not mean to read— And they would go and kiss dead Caesar's wounds And dip their napkins...
Pagina 101 - Let it pry through the portage of the head Like the brass cannon; let the brow o'erwhelm it As fearfully as doth a galled rock O'erhang and jutty his confounded base, Swill'd with the wild and wasteful ocean. Now set the teeth and stretch the nostril wide, Hold hard the breath and bend up every spirit To his full height.
Pagina 101 - And you, good yeomen, Whose limbs were made in England, show us here The mettle of your pasture; let us swear That you are worth your breeding, which I doubt not; For there is none of you so mean and base, That hath not noble lustre in your eyes. I see you stand like greyhounds in the slips, Straining upon the start. The game's afoot! Follow your spirit, and upon this charge Cry, "God for Harry! England and Saint George!
Pagina 66 - Thou sure and firm-set earth, Hear not my steps, which way they walk, for fear Thy very stones prate of my whereabout, And take the present horror from the time, Which now suits with it.
Pagina 167 - Tiber! father Tiber! To whom the Romans pray, A Roman's life, a Roman's arms, Take thou in charge this day ! ' So he spake, and speaking sheathed The good sword by his side, And with his harness on his back Plunged headlong in the tide.
Pagina 101 - Be copy now to men of grosser blood, And teach them how to war. And you, good yeomen, Whose limbs were made in England, show us here The mettle of your pasture ; let us swear That you are worth your breeding ; which I doubt not ; For there is none of you so mean and base, That hath not noble lustre in your eyes.
Pagina 16 - Sport that wrinkled Care derides, And Laughter holding both his sides. Come, and trip it as you go On the light fantastic toe...
Pagina 99 - ... accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed that I have thought some of nature's journeymen had made men and not made them well, they imitated humanity so abominably.
Pagina 68 - God bless us ! ' and ' Amen ' the other ; As ' they had seen me with these hangman's hands. Listening their fear, I could not say ' Amen,' When they did say ' God bless us ! ' Lady M. Consider it not so deeply. Macb. But wherefore could not I pronounce Amen'? I had most need of blessing, and ' Amen