Corporate Wasteland: The Landscape and Memory of Deindustrialization

Voorkant
Between the Lines, 30 sep 2007 - 208 pagina's

Deindustrialization is not simply an economic process, but a social and cultural one as well. The rusting detritus of our industrial past the wrecked hulks of factories, abandoned machinery too large to remove, and now-useless infrastructures has for decades been a part of the North American landscape. In recent years, however, these modern ruins have become cultural attractions, drawing increasing numbers of adventurers, artists, and those curious about a forgotten heritage.

Through a unique blend of oral history, photographs, and interpretive essays, Corporate Wasteland investigates this fascinating terrain and the phenomenon of its loss and rediscovery. Steven High and David W. Lewis begin by exploring an emerging aesthetic they term the deindustrial sublime, explaining how the ritualized demolition of landmark industrial structures served as dramatic punctuations between changing eras. They then follow the narrative path blazed by urban spelunkers, explorers who infiltrate former industrial sites and then share accounts and images of their exploits in a vibrant online community. And to understand the ways in which geographic and emotional proximity affects how deindustrialization is remembered and represented, High and Lewis focus on Youngstown, Ohio, where residents and former steelworkers still live amid the reminders of more prosperous times.

Corporate Wasteland concludes with photo essays of sites in Michigan, Ontario, West Virginia, and Pennsylvania that pair haunting images with the poignant testimonies of those who remember industrial sites as workplaces rather than monuments. Forcing readers to look beyond nostalgia, High and Lewis reinterpret our deindustrialized landscape as a historical and imaginative challenge to the ways in which we comprehend and respond to the profound disruptions wrought by globalization."

Overige edities - Alles bekijken

Over de auteur (2007)

Steven High is the author of Industrial Sunset: The Making of North America's Rustbelt, winner of the John Porter Memorial Book Prize and the Albert B. Corey Prize. David W. Lewis is recognized internationally as one of the last surviving masters of the pigment-control process of bromoil and transfer. His photographs have been exhibited internationally and published in numerous books and magazines including Photo Techniques, View Camera, Camera Canada, Photo Life and more. He is the recipient of the prestigious Kodak Gallery Award.

Bibliografische gegevens