Natural Drills in Expression, with Selections: A Series of Exercises, Colloquial and Classical, Based Upon the Principles of Reference to Experience and Comparasion, and Chosen for Their Practical Worth in Developing Power and Naturalness in Reading and Speaking, with Illustrative Selections for PracticeNewton, 1909 - 367 pagina's |
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Pagina iii
... DRILLS INTRODUCTION - THE VALUE OF THE TONE DRILLS . THE TONE DRILLS ... .... DEVELOPING SPECIFIC POWERS OF PORTRAYAL . GENERAL DRILLS ON TONES .. TONE DRILLS FOR VOCAL DEVELOPMENT . INTERPRETATION Illustration of Toning a Selection ...
... DRILLS INTRODUCTION - THE VALUE OF THE TONE DRILLS . THE TONE DRILLS ... .... DEVELOPING SPECIFIC POWERS OF PORTRAYAL . GENERAL DRILLS ON TONES .. TONE DRILLS FOR VOCAL DEVELOPMENT . INTERPRETATION Illustration of Toning a Selection ...
Pagina 3
... drill with the retention of each pupil's individuality , that they make vivid to the pupil the objectivity of utterance , that the colloquial and the classical are placed in constant relation - all these things combine to ... TONE DRILLS 3.
... drill with the retention of each pupil's individuality , that they make vivid to the pupil the objectivity of utterance , that the colloquial and the classical are placed in constant relation - all these things combine to ... TONE DRILLS 3.
Pagina 4
... Tone Drills enable the teacher to give each pupil of a class individual drill and individual criticism at every ses- sion . Many of the Drills take no longer than twenty to thirty seconds for oral expression , and yet each Drill offers ...
... Tone Drills enable the teacher to give each pupil of a class individual drill and individual criticism at every ses- sion . Many of the Drills take no longer than twenty to thirty seconds for oral expression , and yet each Drill offers ...
Pagina 9
... TONE DRILLS In the use of the Tone Drills seek for Naturalness , Vividness , Completeness , Ease and Grace , and the Perception of the Relationship of the Colloquial to the Classical . NATURALNESS . Aim to secure a rendering of each ...
... TONE DRILLS In the use of the Tone Drills seek for Naturalness , Vividness , Completeness , Ease and Grace , and the Perception of the Relationship of the Colloquial to the Classical . NATURALNESS . Aim to secure a rendering of each ...
Pagina 10
... drill on the Colloquial , followed by alternate renderings of the Classical and Colloquial , Colloquial and Classical . Also by having the ... TONE DRILLS EXAMPLES ILLUSTRATING THE TONE SYMBOLS THOSE SYMBOLS 10 NATURAL DRILLS IN EXPRESSION.
... drill on the Colloquial , followed by alternate renderings of the Classical and Colloquial , Colloquial and Classical . Also by having the ... TONE DRILLS EXAMPLES ILLUSTRATING THE TONE SYMBOLS THOSE SYMBOLS 10 NATURAL DRILLS IN EXPRESSION.
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Overige edities - Alles bekijken
Natural Drills in Expression, with Selectins: A Series of Exercises ... Arthur Edward Phillips Volledige weergave - 1909 |
Natural Drills in Expression with Selections: A Series of Exercises ... Arthur Edward Phillips Volledige weergave - 1916 |
Natural Drills in Expression, with Selections: A Series of Exercises ... Arthur Edward Phillips Volledige weergave - 1916 |
Veelvoorkomende woorden en zinsdelen
agony ALFRED TENNYSON American arms awful battle beauty Belshazzar bend blood breath Cæsar Classical Colloquial Conservatism contempt dark dead dear death doth dream earth eternal expression eyes fair fall father fear feeling FELICIA HEMANS fool gentlemen give Glaucus glorious glory Hamlet hand Harfleur hast hates hath head hear heard heart heaven Henry honor hope hour human Julius Caesar king King Lear kiss Lady laugh liberty light listener live Lochinvar look Lord Macbeth manifests Merchant of Venice murderer nation Netherby never night o'er Othello pause peace Practice Tone Drills prominence Richard Richard III Rome Romeo and Juliet shame sleep smile solemn soul sound speak speaker spirit stand sublime sweet sword tears tell thee thine thing THOMAS HOOD thou thought thousand tion Utter voice waves WILLIAM SHAKESPEARE words
Populaire passages
Pagina 321 - O, there be players that I have seen play, and heard others praise, and that highly, not to speak it profanely, that neither having the accent of Christians nor the gait of Christian, pagan, nor man, have so strutted and bellowed, that I have thought some of nature's journeymen had made men, and not made them well, they imitated humanity so abominably.
Pagina 142 - Or lose thyself in the continuous woods Where rolls the Oregon, and hears no sound Save his own dashings, — yet the dead are there! And millions in those solitudes, since first The flight of years began, have laid them down In their last sleep, — the dead reign there alone! So shalt thou rest; and what if thou withdraw In silence from the living, and no friend Take note of thy departure? All that breathe Will share thy destiny. The gay will laugh When thou art gone, the solemn brood of care Plod...
Pagina 132 - Romans, countrymen, and lovers ! hear me for my cause; and be silent that you may hear : believe me for mine honour ; and have respect to mine honour, that you may believe : censure me in your wisdom ; and awake your senses that you may the better judge. If there be any in this assembly, any dear friend of Caesar's, to him I say, that Brutus' love to Caesar was no less than his.
Pagina 211 - O that this too too solid flesh would melt, Thaw, and resolve itself into a dew! Or that the Everlasting had not fix'd His canon 'gainst self-slaughter!
Pagina 343 - Almighty's form Glasses itself in tempests ; in all time, — Calm or convulsed, in breeze or gale or storm, Icing the pole, or in the torrid clime Dark-heaving — boundless, endless, and sublime, The image of eternity, the throne Of the Invisible ; even from out thy slime The monsters of the deep are made ; each zone Obeys thee ; thou goest forth, dread, fathomless, alone.
Pagina 180 - mong Graemes of the Netherby clan ; Forsters, Fenwicks, and Musgraves, they rode and they ran : There was racing and chasing on Cannobie Lee, But the lost bride of Netherby ne'er did they see. So daring in love, and so dauntless in war, Have ye e'er heard of gallant like young Lochinvar?
Pagina 192 - Your infants in your arms, and there have sat The live-long day, with patient expectation, To see great Pompey pass the streets of Rome...
Pagina 133 - As Caesar loved me, I weep for him; as he was fortunate, I rejoice at it; as he was valiant, I honor him; but as he was ambitious, I slew him.
Pagina 277 - Cameron's gathering' rose! The war-note of Lochiel, which Albyn's hills Have heard, and heard, too, have her Saxon foes; How in the noon of night that pibroch thrills, Savage and shrill! But with the breath which fills Their mountain-pipe, so fill the mountaineers With the fierce native daring which instils The stirring memory of a thousand years, And Evan's, Donald's fame rings in each clansman's ears!
Pagina 321 - And let those that play your clowns, speak no more than is set down for them : for there be of them, that will themselves laugh, to set on some quantity of barren spectators to laugh too ; though, in the mean time, some necessary question of the play be then to be considered: that's villainous; and . shows a most pitiful ambition in the fool that uses it.