Shakespeare and the Poet's LifeUniversity Press of Kentucky, 21 nov 2021 - 248 pagina's Shakespeare and the Poet's Life explores a central biographical question: why did Shakespeare choose to cease writing sonnets and court-focused long poems like The Rape of Lucrece and Venus and Adonis and continue writing plays? Author Gary Schmidgall persuasively demonstrates the value of contemplating the professional reasons Shakespeare—or any poet of the time—ceased being an Elizabethan court poet and focused his efforts on drama and the Globe. Students of Shakespeare and of Renaissance poetry will find Schmidgall's approach and conclusions both challenging and illuminating. |
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... plays are any indication, Shakespeare gained some considerable fame from his early poetical exertions—“fame,” as the King ... play, describes this fame and must strike us as startlingly specific: “And Shakespeare thou, whose hony-flowing ...
... plays are any indication, Shakespeare gained some considerable fame from his early poetical exertions—“fame,” as the King ... play, describes this fame and must strike us as startlingly specific: “And Shakespeare thou, whose hony-flowing ...
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... play): “I have Pisa left / And am to Padua come, as he that leaves / A shallow plash to plunge him in the deep, / And with satiety seeks to quench his thirst” (1.1.21-24). And satiety—whether of taffeta phrases in Love's Labour's Lost ...
... play): “I have Pisa left / And am to Padua come, as he that leaves / A shallow plash to plunge him in the deep, / And with satiety seeks to quench his thirst” (1.1.21-24). And satiety—whether of taffeta phrases in Love's Labour's Lost ...
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... play of the 1590s in which Surrey says, “Oh, my Lord, you tax me / In that word poet of much idleness: / It is a studie that makes poore our fate,” and Sir Thomas More replies, “This is noe age for poets.”12 It should be clear that in ...
... play of the 1590s in which Surrey says, “Oh, my Lord, you tax me / In that word poet of much idleness: / It is a studie that makes poore our fate,” and Sir Thomas More replies, “This is noe age for poets.”12 It should be clear that in ...
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... Play (1962). Though metadramatic criticism often veers into discourse on the hermeneutics and ontology of the theatrical experience, the genre's less theoretical and more sociological manifestations will be found relevant to much that I ...
... Play (1962). Though metadramatic criticism often veers into discourse on the hermeneutics and ontology of the theatrical experience, the genre's less theoretical and more sociological manifestations will be found relevant to much that I ...
Pagina
... play” (359) often masked eager strife to serve among the surrounding entourage. Many stood ready to say, as Venus does: “Bid me discourse, I will enchant thine ear” (145). Adonis weeps, and the sun and wind—like attendants lunging to ...
... play” (359) often masked eager strife to serve among the surrounding entourage. Many stood ready to say, as Venus does: “Bid me discourse, I will enchant thine ear” (145). Adonis weeps, and the sun and wind—like attendants lunging to ...
Inhoudsopgave
Chameleon Muse The Poets Life in Shakespeares Courts | |
Fearful Meditation The Young Man and the Poets Life | |
Exemplary Front Matter | |
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
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