Shakspeare and His TimesHarper, 1852 - 360 pagina's |
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Pagina 65
... respect - in attributing them to him . The baldness which characterizes these pieces , the heap of unexplained incidents and incoherent sentiments which they contain , and their precipitate prog- ress through undeveloped scenes toward ...
... respect - in attributing them to him . The baldness which characterizes these pieces , the heap of unexplained incidents and incoherent sentiments which they contain , and their precipitate prog- ress through undeveloped scenes toward ...
Pagina 86
... could have borrowed the sub- ject of the " Tempest ; " the composition of " Timon of Athens " is indebted in no respect to Plutarch's account of that misanthrope ; and in " Troilus and Cressida " 86 SHAKSPEARE AND HIS TIMES .
... could have borrowed the sub- ject of the " Tempest ; " the composition of " Timon of Athens " is indebted in no respect to Plutarch's account of that misanthrope ; and in " Troilus and Cressida " 86 SHAKSPEARE AND HIS TIMES .
Pagina 91
... respects thy history is important to me . " Thus we may explain that depth of natural truth which reveals itself , in Shakspeare's works , even to the least practiced eyes , and that somewhat frequent absence of local truth which he ...
... respects thy history is important to me . " Thus we may explain that depth of natural truth which reveals itself , in Shakspeare's works , even to the least practiced eyes , and that somewhat frequent absence of local truth which he ...
Pagina 95
... respect , his pleasures , and even the studies of his youth . He has now only one object in the world - to prove and punish the crime which had caused his father's death . That , in or- der to accomplish this design , he must break the ...
... respect , his pleasures , and even the studies of his youth . He has now only one object in the world - to prove and punish the crime which had caused his father's death . That , in or- der to accomplish this design , he must break the ...
Pagina 105
... respect inferior to those of which the most distinguished theatres made use . The actor , covered " with lime and rough - cast , " who rep- resents the wall that separated Pyramus and Thisbe , and moves his fingers to provide " the ...
... respect inferior to those of which the most distinguished theatres made use . The actor , covered " with lime and rough - cast , " who rep- resents the wall that separated Pyramus and Thisbe , and moves his fingers to provide " the ...
Overige edities - Alles bekijken
SHAKSPEARE & HIS TIMES Francois 1787-1874 Guizot,Achille-Leon-Victor Duc De Broglie, 1. Geen voorbeeld beschikbaar - 2016 |
Veelvoorkomende woorden en zinsdelen
action actors admiration afterward amusement appear Banquo beauties become Ben Jonson brilliant Brutus Cæsar character chronicle circumstances comedy comic composed court crime death Desdemona desire destiny dramatic poetry Duke Duke of Austria effect Elizabeth emotions England entirely equally existence fact Falstaff father favor feelings festivities forms genius give habits Hamlet hand Henry Henry IV historical dramas Holinshed honor human Iago idea imagination impression inspired interest Julius Cæsar king King Lear Lear less liberty Lord Macbeth manner ment mind minstrels misfortune Molière Moor moral nature necessity never once original Othello passion peare peare's perhaps personages piece play pleasures poet poetic popular position possess present prince reason regard reign rendered Richard Richard III Romeo and Juliet says scene Shaks Shakspeare Shakspeare's sion soul spectator stage Stratford style success taste theatre thing thought tion tragedy tragic true truth unity Voltaire wife young
Populaire passages
Pagina 283 - Speak of me as I am ; nothing extenuate, Nor set down aught in malice: then must you speak Of one that...
Pagina 274 - O, that the slave had forty thousand lives ! One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, lago ; All my fond love thus do I blow to heaven : 'Tis gone. Arise, black vengeance, from thy hollow cell ! Yield up, O love, thy crown and hearted throne To tyrannous hate ! Swell, bosom, with thy fraught, For 'tis of aspics
Pagina 283 - No more of that ; — I pray you, in your letters, When you shall these unlucky deeds relate, Speak of me as I am ; nothing extenuate, Nor set down aught in malice...
Pagina 100 - O, for my sake do you with Fortune chide, The guilty goddess of my harmful deeds, That did not better for my life provide Than public means which public manners breeds. Thence comes it that my name receives a brand, And almost thence my nature is subdued To what it works in, like the dyer's hand.
Pagina 38 - Twas Christmas told the merriest tale ; A Christmas gambol oft could cheer The poor man's heart through half the year.
Pagina 322 - The First part of the Contention betwixt the two famous Houses of Yorke and Lancaster...
Pagina 40 - Come, my Corinna, come; and, coming, mark How each field turns a street, each street a park Made green and trimm'd with trees: see how Devotion gives each house a bough Or branch: each porch, each door, ere this An ark, a tabernacle is, Made up of white-thorn neatly interwove; As if here were those cooler shades of love.
Pagina 109 - Good friend, for Jesus' sake forbear To dig the dust enclosed here. Blessed be the man that spares these stones And cursed be he that moves my bones.
Pagina 40 - CORINNA'S GOING A-MAYING Get up, get up for shame! The blooming morn Upon her wings presents the god unshorn. See how Aurora throws her fair, Fresh-quilted colors through the air. Get up, sweet slug-a-bed, and see The dew bespangling herb and tree!
Pagina 163 - O my love! my wife! Death, that hath suck'd the honey of thy breath, Hath had no power yet upon thy beauty. Thou art not conquer'd; beauty's ensign yet Is crimson in thy lips and in thy cheeks, And death's pale flag is not advanced there.