Dwight's Journal of Music: A Paper of Art and Literature, Volumes 37-38John Sullivan Dwight 1967 |
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Pagina 153
... written with a lead pencil , as fol- lows , ( Moscheles , I. , 101-6 ) : — " July 6th , morning . " My angel , my all , my other self ! -Only a few words to - day , and in pencil ( written with yours . ) My future abode will certainly ...
... written with a lead pencil , as fol- lows , ( Moscheles , I. , 101-6 ) : — " July 6th , morning . " My angel , my all , my other self ! -Only a few words to - day , and in pencil ( written with yours . ) My future abode will certainly ...
Pagina 257
... written in 1802 , in the first period , while he places the Sonatas op . 26 and 27 , which were completed a year earlier , and the 3 Sonatas op . 31 , which were written in company with the 2nd Symphony , in the sec- ond period . As far ...
... written in 1802 , in the first period , while he places the Sonatas op . 26 and 27 , which were completed a year earlier , and the 3 Sonatas op . 31 , which were written in company with the 2nd Symphony , in the sec- ond period . As far ...
Pagina 292
... written under the continuo . In some instances the figuring was omitted , the choice of harmony being then far more problematical . It is generally supposed that in such cases the composer intended to play the organ himself , or else ...
... written under the continuo . In some instances the figuring was omitted , the choice of harmony being then far more problematical . It is generally supposed that in such cases the composer intended to play the organ himself , or else ...
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accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Franz Fugue genius German Gewandhaus given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann Leipzig letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words