Dwight's Journal of Music: A Paper of Art and Literature, Volumes 37-38John Sullivan Dwight 1967 |
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Pagina 44
... Opera , and in its adolescence , the boundaries which sepa- rated secular from sacred music were undefined : the music of the Church and stage were almost identi- cal . Opera soon took root in the fertile soil of Ita- ly : it was ...
... Opera , and in its adolescence , the boundaries which sepa- rated secular from sacred music were undefined : the music of the Church and stage were almost identi- cal . Opera soon took root in the fertile soil of Ita- ly : it was ...
Pagina 51
... Opera was considered to be the composer's masterpiece . Colman's " Iron Chest , " with Stor- ace's music , appeared in 1796. There is a nearer approximation to the modern type of Opera in this dramatic work than in Storace's previous Operas ...
... Opera was considered to be the composer's masterpiece . Colman's " Iron Chest , " with Stor- ace's music , appeared in 1796. There is a nearer approximation to the modern type of Opera in this dramatic work than in Storace's previous Operas ...
Pagina 67
... Opera has been translated into the languages of many foreign countries , where it has been suc- cessfully represented . Balfe's other performed Op- eras are " The Castle of Aymon , " originally pro- duced as a French Opera , The ...
... Opera has been translated into the languages of many foreign countries , where it has been suc- cessfully represented . Balfe's other performed Op- eras are " The Castle of Aymon , " originally pro- duced as a French Opera , The ...
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accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Franz Fugue genius German Gewandhaus given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann Leipzig letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words