Dwight's Journal of Music: A Paper of Art and Literature, Volumes 37-38John Sullivan Dwight 1967 |
Vanuit het boek
Resultaten 1-3 van 85
Pagina 15
... never quarrelled with the family relationship of keys , never re- nounced the syren Melody , never tried to break the bonds of the law which maketh free : never spurned the pursuit of Beauty in itself as one thing indispensable to all Art : ...
... never quarrelled with the family relationship of keys , never re- nounced the syren Melody , never tried to break the bonds of the law which maketh free : never spurned the pursuit of Beauty in itself as one thing indispensable to all Art : ...
Pagina 58
... never to forsake its subordinate place , to make itself the prin- cipal affair and music the mere medium of its expression , which is a great mistake and sheer perversion . At bottom it is but the product of the somewhat barbaric idea ...
... never to forsake its subordinate place , to make itself the prin- cipal affair and music the mere medium of its expression , which is a great mistake and sheer perversion . At bottom it is but the product of the somewhat barbaric idea ...
Pagina 335
... never heard so magnificently played before , and never has the composition itself interested us so much as in his performance . We trust Herr Rummel will re - visit Boston , and give us some day the yet great- er pleasure of hearing him ...
... never heard so magnificently played before , and never has the composition itself interested us so much as in his performance . We trust Herr Rummel will re - visit Boston , and give us some day the yet great- er pleasure of hearing him ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Franz Fugue genius German Gewandhaus given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann Leipzig letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words