Dwight's Journal of Music: A Paper of Art and Literature, Volumes 37-38John Sullivan Dwight 1967 |
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Pagina 97
... nature of music . Schubert and Haydn had much of it , and Beethoven , who loved to compose wandering about . In Schumann's songs it is often so prominent that one might paint the scene he sees before him . In Chopin we find no trace of ...
... nature of music . Schubert and Haydn had much of it , and Beethoven , who loved to compose wandering about . In Schumann's songs it is often so prominent that one might paint the scene he sees before him . In Chopin we find no trace of ...
Pagina 99
... nature , he did not allow for the narrowness of the human heart ; he saw , indeed , that there were no limits to crea- erred in color ; because not content with discern -- nearly all the subjects on which it dwelt having ing the ...
... nature , he did not allow for the narrowness of the human heart ; he saw , indeed , that there were no limits to crea- erred in color ; because not content with discern -- nearly all the subjects on which it dwelt having ing the ...
Pagina 201
... nature , by obedi- tic life before Palestrina . Celebrated Holland- ence to which the highest and most perfect art ers and Germans , such as Josquin des Pres , is alone to be obtainable . " One touch of nat- Lasso , etc. , went to Italy ...
... nature , by obedi- tic life before Palestrina . Celebrated Holland- ence to which the highest and most perfect art ers and Germans , such as Josquin des Pres , is alone to be obtainable . " One touch of nat- Lasso , etc. , went to Italy ...
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accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Franz Fugue genius German Gewandhaus given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann Leipzig letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words