Dwight's Journal of Music: A Paper of Art and Literature, Volumes 37-38John Sullivan Dwight 1967 |
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Pagina 58
... melody , if there were really melodic treasures in his possession . And then , divest his melodies of their harmonic and melodic accessories - and what remains ? Allusions to what is well known , nothing conspicuous for originality or ...
... melody , if there were really melodic treasures in his possession . And then , divest his melodies of their harmonic and melodic accessories - and what remains ? Allusions to what is well known , nothing conspicuous for originality or ...
Pagina 62
... melody worthy of Beethoven . After giving the melodies , Miss Kellogg says in conclusion : I would like to awaken an interest in the music of the Japanese . Judging from the melodies I have given , there should be here a wealth of ...
... melody worthy of Beethoven . After giving the melodies , Miss Kellogg says in conclusion : I would like to awaken an interest in the music of the Japanese . Judging from the melodies I have given , there should be here a wealth of ...
Pagina 315
... melodies of Cambria , with original words in English and Welsh , together with several original airs , " by John Thomas [ Jeuan Ddu ] ( Merthyr Tydvil , 1845 ; 4to ) . Pencerdd ; Gems of Welsh Melody ; a selection of popular Welsh songs ...
... melodies of Cambria , with original words in English and Welsh , together with several original airs , " by John Thomas [ Jeuan Ddu ] ( Merthyr Tydvil , 1845 ; 4to ) . Pencerdd ; Gems of Welsh Melody ; a selection of popular Welsh songs ...
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accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Franz Fugue genius German Gewandhaus given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann Leipzig letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words