Dwight's Journal of Music: A Paper of Art and Literature, Volumes 37-38John Sullivan Dwight 1967 |
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Pagina 13
... least record our impres- men , it is needless to say anything individually . sions , and they were not pleasant . The work , as a They all sang carefully , faithfully , and with inten- whole , seemed like a very desert - like expanse in ...
... least record our impres- men , it is needless to say anything individually . sions , and they were not pleasant . The work , as a They all sang carefully , faithfully , and with inten- whole , seemed like a very desert - like expanse in ...
Pagina 185
... least two or three ideas or sug - ven's music is distinctly emotional , and because gestions . Unquestionably , unity is an element of the beautiful . But the proper antithesis to the term unity in this case , it seems to me , is ...
... least two or three ideas or sug - ven's music is distinctly emotional , and because gestions . Unquestionably , unity is an element of the beautiful . But the proper antithesis to the term unity in this case , it seems to me , is ...
Pagina 235
... least . It is ten to one that he does not really know the least whether the children sing in tune or not ; and therefore , even if they were taught on a good system , he would be no judge of the results . But the fact is that the ...
... least . It is ten to one that he does not really know the least whether the children sing in tune or not ; and therefore , even if they were taught on a good system , he would be no judge of the results . But the fact is that the ...
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accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Franz Fugue genius German Gewandhaus given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann Leipzig letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words