Dwight's Journal of Music: A Paper of Art and Literature, Volumes 37-38John Sullivan Dwight 1967 |
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Pagina 123
... Thomas's most useful men , and Bareither , both in the old or chestra , and the last man is Bergner , principal vi- oloncellist of the Philharmonic Society , and too well known to need description . Of the double - basses , C. Uthof ...
... Thomas's most useful men , and Bareither , both in the old or chestra , and the last man is Bergner , principal vi- oloncellist of the Philharmonic Society , and too well known to need description . Of the double - basses , C. Uthof ...
Pagina 160
... Thomas's rendering . In the allegretto ( third movement ) Mr. Thomas assuredly lost what he had gained by brightness in the first movement , for he took the tempo much too slowly and dragged the life out of it . But Dr. Damrosch made ...
... Thomas's rendering . In the allegretto ( third movement ) Mr. Thomas assuredly lost what he had gained by brightness in the first movement , for he took the tempo much too slowly and dragged the life out of it . But Dr. Damrosch made ...
Pagina 301
... Thomas per- severed in them until the Spring of 1869 , when they were interrupted , although they had been steadily growing in the public favor . In the Sum- mer of 1866 , Thomas began at Terrace Garden on Third - ave . , the experiment ...
... Thomas per- severed in them until the Spring of 1869 , when they were interrupted , although they had been steadily growing in the public favor . In the Sum- mer of 1866 , Thomas began at Terrace Garden on Third - ave . , the experiment ...
Overige edities - Alles bekijken
Veelvoorkomende woorden en zinsdelen
accompaniment admirable Allegro Andante Aria artists audience Bach Bach's bass beautiful Beethoven Boston Brahms Cantata charming choir Chopin choral chorus Cinq Mars Club composer composition concert conductor contralto Crystal Palace Die Walküre dramatic duet effect English Opera expression feeling Festival Fidelio flat Franz Fugue genius German Gewandhaus given grand Hall Handel Haydn hear heard Herr instruments interest Italian J. S. Bach Johann Leipzig letter Liszt Lohengrin March master Mdlle melody Mendelssohn ment Meyerbeer minor Miss movement Mozart musicians never Opera Oratorio orchestra organ Overture performance pianist piano pianoforte piece played programme pupils quartet recitative sang Scherzo Schubert Schumann season seems singers singing Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser tenor Theatre Thomas Tietjens tion tone Trio Vienna violin vocal voice Wagner Waltz whole words