Dwight's Journal of Music

able accompaniment admirable appeared artists audience Bach beautiful become Beethoven Boston called character charming Chopin chorus close composer composition concert course effect English excellent expression fact feeling finale four gave German give given grand Hall hand hear heard Herr important interest Italian Italy least less letter Liszt Lohengrin major manner March master means melody Mendelssohn ment minor Miss movement Mozart musicians nature never once opera orchestra organ original Overture perfect performance piano piece played present produced programme received remarkable rendering sang Schumann season seems singers singing Society solo song soprano spirit style success sung Symphony things Thomas tion tone violin vocal voice Wagner whole written young