Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
Vanuit het boek
Resultaten 1-3 van 46
Pagina 81
16 ) writes : “ . . . but to sustain surprise in a worthy hero , he had sometimes had
recourse to devices which are intended to balk analysis . In order to attain the
surprising , he will risk , or even sacrifice , the logical and consistent ; and as such
a ...
16 ) writes : “ . . . but to sustain surprise in a worthy hero , he had sometimes had
recourse to devices which are intended to balk analysis . In order to attain the
surprising , he will risk , or even sacrifice , the logical and consistent ; and as such
a ...
Pagina 218
She writes : “ The Ghost ' s challenge has fallen on receptive ears . . . He has
decided to act ” ( p . 171 ) . Against this , one has to say that Hamlet ' s ears were
far more receptive to the Ghost ' s challenge at the time of the first meeting with
him ...
She writes : “ The Ghost ' s challenge has fallen on receptive ears . . . He has
decided to act ” ( p . 171 ) . Against this , one has to say that Hamlet ' s ears were
far more receptive to the Ghost ' s challenge at the time of the first meeting with
him ...
Pagina 223
Be that as it may , when Goddard writes : “ Loyalty to his father and the desire to
grow unto himself - thirst for revenge and thirst for creation - are in Hamlet almost
in equilibrium , though of course he does not know it , ” and “ Hamlet ' s delay ...
Be that as it may , when Goddard writes : “ Loyalty to his father and the desire to
grow unto himself - thirst for revenge and thirst for creation - are in Hamlet almost
in equilibrium , though of course he does not know it , ” and “ Hamlet ' s delay ...
Wat mensen zeggen - Een review schrijven
We hebben geen reviews gevonden op de gebruikelijke plaatsen.
Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
14 andere gedeelten niet weergegeven
Overige edities - Alles weergeven
Veelvoorkomende woorden en zinsdelen
able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes