Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 54
18 In what follows , I wish to go further . " ( I have chosen Hannibal , because the
vengeance motive played such a significant role in his life too ; but no offense
should be taken by my statement that our biographical knowledge of this
particular ...
18 In what follows , I wish to go further . " ( I have chosen Hannibal , because the
vengeance motive played such a significant role in his life too ; but no offense
should be taken by my statement that our biographical knowledge of this
particular ...
Pagina 98
The beginning of this first soliloquy ( “ O that this too too solid flesh would melt ” )
is ambiguous . It is usually thought of as referring to Hamlet ' s wish to die —
which is later implicit , supposedly , in the wish that God had not forbidden
suicide .
The beginning of this first soliloquy ( “ O that this too too solid flesh would melt ” )
is ambiguous . It is usually thought of as referring to Hamlet ' s wish to die —
which is later implicit , supposedly , in the wish that God had not forbidden
suicide .
Pagina 535
Wish Fulfillments in Cultural Values . When Freud discovered that the
subjectively unpleasant and even the painful - for example , a neurotic symptom -
may harbor and serve a wish fulfillment , the way was then cleared for making the
same ...
Wish Fulfillments in Cultural Values . When Freud discovered that the
subjectively unpleasant and even the painful - for example , a neurotic symptom -
may harbor and serve a wish fulfillment , the way was then cleared for making the
same ...
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Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes