Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 55
Interestingly enough , when we witness a play on the stage , we tend to display
attitudes that are comparable to those we show toward dreams . In a dream , we
usually accept the product of our nocturnal mental life as true reality . Similarly ...
Interestingly enough , when we witness a play on the stage , we tend to display
attitudes that are comparable to those we show toward dreams . In a dream , we
usually accept the product of our nocturnal mental life as true reality . Similarly ...
Pagina 81
59 Wilson suggests that all the inconsistencies except those that are “ due to
historical causes ” — that is to say , those that arise out of later revision - are the
necessary consequences of Hamlet ' s being a stage play . “ Verisimilitude and
not ...
59 Wilson suggests that all the inconsistencies except those that are “ due to
historical causes ” — that is to say , those that arise out of later revision - are the
necessary consequences of Hamlet ' s being a stage play . “ Verisimilitude and
not ...
Pagina 335
... to such an extent that , if a twentieth - century man were to witness Elizabethan
stage performances , he would find them ... gone too far , although a deep
meaning seems to be revealed in the legend surrounding his retirement from
stage .
... to such an extent that , if a twentieth - century man were to witness Elizabethan
stage performances , he would find them ... gone too far , although a deep
meaning seems to be revealed in the legend surrounding his retirement from
stage .
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Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes