Discourse on Hamlet and Hamlet: A Psychoanalytic InquiryInternational Universities Press, 1971 - 656 pagina's |
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Pagina 117
... revenge . Now that doubt about his own emotions is gone , the consummation of revenge has become feasible , inasmuch as the passionate desire for it has taken hold of him . In the sixth and final soliloquy ( IV.4.32 ) , we witness the ...
... revenge . Now that doubt about his own emotions is gone , the consummation of revenge has become feasible , inasmuch as the passionate desire for it has taken hold of him . In the sixth and final soliloquy ( IV.4.32 ) , we witness the ...
Pagina 210
... revenge belongs to God , nevertheless writes ( p . 441 ) : " It deserves all possible emphasis that Shakespeare does not make Hamlet struggle with the inconsistency between a barbaric tribal code and the Christian code of morals in the ...
... revenge belongs to God , nevertheless writes ( p . 441 ) : " It deserves all possible emphasis that Shakespeare does not make Hamlet struggle with the inconsistency between a barbaric tribal code and the Christian code of morals in the ...
Pagina 211
... revenge motives by Macduff is explicit " ( 1967 , p . 91 ) . I myself find what amounts to even an explicit request for and approval of personal revenge in Malcolm's exhortation of Macduff : " Let grief / Convert to anger ; blunt not ...
... revenge motives by Macduff is explicit " ( 1967 , p . 91 ) . I myself find what amounts to even an explicit request for and approval of personal revenge in Malcolm's exhortation of Macduff : " Let grief / Convert to anger ; blunt not ...
Inhoudsopgave
Preface ང | 1 |
Introduction | 39 |
Discourse on Hamlet | 45 |
Copyright | |
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able accepted action actually analysis appearance aroused artistic asserts audience become believe Book of Judges Caliban character Christian Claudius clinical conflict course created creative crime critics death doubt dream effect ego psychology Elizabethan emotions explain external fact fantasy father feel Fortinbras Freud function genius Ghost Goethe hamartia Hamlet Hecuba historical Horatio human incest interpretation killing King Laertes later literary Madariaga madness man's marriage meaning mind Miss Prosser Montaigne mother murder myth never object observed oedipal Oedipus complex Ophelia perhaps person playwright Polonius possible present problem Prof Prospero psychic psychoanalytic psychological question reality reason reference regard relationship repressed revenge Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays soliloquy speak speare's spectator stage structure superego symbolic Tempest theory tion tragedy true truth unconscious understanding Ur-Hamlet wish words