Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 55
In a dream , we usually accept the product of our nocturnal mental life as true
reality . Similarly , under optimal conditions we accept the events on the stage as
being just as valid as those of reality , and we are moved by these events as if
they ...
In a dream , we usually accept the product of our nocturnal mental life as true
reality . Similarly , under optimal conditions we accept the events on the stage as
being just as valid as those of reality , and we are moved by these events as if
they ...
Pagina 78
This descrepancy between the reality of the events on stage and the ambiguity
about those events that do not take place before the spectator ' s eyes is one of
the techniques by means of which Shakespeare succeeds in producing the ...
This descrepancy between the reality of the events on stage and the ambiguity
about those events that do not take place before the spectator ' s eyes is one of
the techniques by means of which Shakespeare succeeds in producing the ...
Pagina 362
This power stems from their closeness to psychic reality , most of which is
covered by the unconscious and also includes huge parts of the superego . It is
this too that is of some significance when one discusses the mythical meaning of
Hamlet ...
This power stems from their closeness to psychic reality , most of which is
covered by the unconscious and also includes huge parts of the superego . It is
this too that is of some significance when one discusses the mythical meaning of
Hamlet ...
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Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes