Discourse on Hamlet and Hamlet: A Psychoanalytic InquiryInternational Universities Press, 1971 - 656 pagina's |
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Pagina 78
... quarto was a " bad " quarto . 55 Cf. Goethe's remark ( April 28 , 1819 ) that " now he could weep only at the perception of some- thing of rare ethical or aesthetic value , no longer from pity or from his own need . " [ ... wie er nur ...
... quarto was a " bad " quarto . 55 Cf. Goethe's remark ( April 28 , 1819 ) that " now he could weep only at the perception of some- thing of rare ethical or aesthetic value , no longer from pity or from his own need . " [ ... wie er nur ...
Pagina 81
... Quarto 2 nor Folio 1 was ever presented on the stage and could not possi- bly have been written for the sake of being performed , since they are both far too long to be acted within the time limits allocated to stage performances by law ...
... Quarto 2 nor Folio 1 was ever presented on the stage and could not possi- bly have been written for the sake of being performed , since they are both far too long to be acted within the time limits allocated to stage performances by law ...
Pagina 86
... Quarto 1. I think he goes too far in this respect . In Quarto 2 enough is intimated to suggest an alliance , the extent of which is left to the reader's imagination . The victory of Hamlet over Claudius in the last scene is manifest and ...
... Quarto 1. I think he goes too far in this respect . In Quarto 2 enough is intimated to suggest an alliance , the extent of which is left to the reader's imagination . The victory of Hamlet over Claudius in the last scene is manifest and ...
Inhoudsopgave
Preface ང | 1 |
Introduction | 39 |
Discourse on Hamlet | 45 |
Copyright | |
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able accepted action actually analysis appearance aroused artistic asserts audience become believe Book of Judges Caliban character Christian Claudius clinical conflict course created creative crime critics death doubt dream effect ego psychology Elizabethan emotions explain external fact fantasy father feel Fortinbras Freud function genius Ghost Goethe hamartia Hamlet Hecuba historical Horatio human incest interpretation killing King Laertes later literary Madariaga madness man's marriage meaning mind Miss Prosser Montaigne mother murder myth never object observed oedipal Oedipus complex Ophelia perhaps person playwright Polonius possible present problem Prof Prospero psychic psychoanalytic psychological question reality reason reference regard relationship repressed revenge Romeo Romeo and Juliet scene seems sense sexual Shake Shakespeare Shakespeare's plays soliloquy speak speare's spectator stage structure superego symbolic Tempest theory tion tragedy true truth unconscious understanding Ur-Hamlet wish words