Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 21
To what extent he was aware of these insights , to what extent he himself would
have been able to explain in determinate and discursive terms the psychology of
the characters he created is as open to question as what Leonardo da Vinci ...
To what extent he was aware of these insights , to what extent he himself would
have been able to explain in determinate and discursive terms the psychology of
the characters he created is as open to question as what Leonardo da Vinci ...
Pagina 478
We explain by means of purely intellectual processes , but we understand by way
of the acting together of all psychic forces in the act of apprehension . We
proceed in understanding from the connection of the whole that is given to us as
a ...
We explain by means of purely intellectual processes , but we understand by way
of the acting together of all psychic forces in the act of apprehension . We
proceed in understanding from the connection of the whole that is given to us as
a ...
Pagina 485
The break between the sixth and seventh chapters of The Interpretation of
Dreams has particular bearing upon our subject matter . Freud ( 1900 , p . 511 )
asserts : " To explain a thing means to trace it back to something already known .
The break between the sixth and seventh chapters of The Interpretation of
Dreams has particular bearing upon our subject matter . Freud ( 1900 , p . 511 )
asserts : " To explain a thing means to trace it back to something already known .
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Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes