Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 14
The analyst ' s discovery in Shakespeare ' s plays of “ the laws of nature ” is quite
different from the fact that , in the aesthetic experience , literary reality often gives
the impression of being real reality . From this effect alone one may not ...
The analyst ' s discovery in Shakespeare ' s plays of “ the laws of nature ” is quite
different from the fact that , in the aesthetic experience , literary reality often gives
the impression of being real reality . From this effect alone one may not ...
Pagina 379
Finally , Freud believed in the victory of reason and experience , which nothing
can withstand ( 1927 , p . 27 ) . A year earlier , Freud ( 1926b , p . 193 ) had
raised the question : “ Have you ever found that men do anything but confuse and
...
Finally , Freud believed in the victory of reason and experience , which nothing
can withstand ( 1927 , p . 27 ) . A year earlier , Freud ( 1926b , p . 193 ) had
raised the question : “ Have you ever found that men do anything but confuse and
...
Pagina 544
Even as late as during the final stages of delayed adolescence , artisic
experiences may have traumatic effects . ... If anything , after a stirring artistic
experience , whatever the specific emotional response may be — and I wish to
repeat that this ...
Even as late as during the final stages of delayed adolescence , artisic
experiences may have traumatic effects . ... If anything , after a stirring artistic
experience , whatever the specific emotional response may be — and I wish to
repeat that this ...
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Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes