Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 10
32 ) : the good critic " points to something that is actually contained in the work of
art , ” the bad one points away from the work in question ; he introduces
extraneous elements into his appreciation and smudges the canvas with his own
paint .
32 ) : the good critic " points to something that is actually contained in the work of
art , ” the bad one points away from the work in question ; he introduces
extraneous elements into his appreciation and smudges the canvas with his own
paint .
Pagina 53
What we must ask ourselves is whether it is possible for such a man as the one
described by Shakespeare to have acted and spoken in that way , had he
actually lived within that historical and physical context . In other words , if
someone ...
What we must ask ourselves is whether it is possible for such a man as the one
described by Shakespeare to have acted and spoken in that way , had he
actually lived within that historical and physical context . In other words , if
someone ...
Pagina 118
The view point that Hamlet propounds is actually couched in such terms as to
persuade the listener against honor rather than to win him to favor it . While he
seems to be granting full honors to the concept of honor , Hamlet actually does so
in ...
The view point that Hamlet propounds is actually couched in such terms as to
persuade the listener against honor rather than to win him to favor it . While he
seems to be granting full honors to the concept of honor , Hamlet actually does so
in ...
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Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes