Discourse on Hamlet and Hamlet: A Psychoanalytic Inquiry |
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Pagina 258
in the cellarage scene ) at the foot of the castle wall , and only six lines in the
closet scene , Shakespeare was able to build up a formidable structure under
whose shadow the events proceed to the final climax . Still another “ irregularity ...
in the cellarage scene ) at the foot of the castle wall , and only six lines in the
closet scene , Shakespeare was able to build up a formidable structure under
whose shadow the events proceed to the final climax . Still another “ irregularity ...
Pagina 485
He then proceeded to reconstruct the structure that a system must possess in
order for it to be able to produce dreams . The reader was able to follow Freud , in
the first six chapters of his book , without being aware that everything that he ...
He then proceeded to reconstruct the structure that a system must possess in
order for it to be able to produce dreams . The reader was able to follow Freud , in
the first six chapters of his book , without being aware that everything that he ...
Pagina 613
From Shakespeare ' s plays and , in particular , from The Tempest , one gains the
impression that he was able to step outside himself and his society , and to look
critically at what he saw - probably not without grief , but surely without anxiety or
...
From Shakespeare ' s plays and , in particular , from The Tempest , one gains the
impression that he was able to step outside himself and his society , and to look
critically at what he saw - probably not without grief , but surely without anxiety or
...
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Inhoudsopgave
Epilogue | 148 |
AN ANALYTIC VIEW OF SOME | 155 |
Limitations of the Historical View | 181 |
Copyright | |
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able accepted according action actually appearance artistic asserts audience become believe Caliban called carry character Christian Claudius course created critics death doubt dream effect elements Elizabethan emotions existence experience explain expression fact father feeling final forces Fortinbras Freud function further genius Ghost Hamlet historical human idea instance interpretation Italy killing King Laertes later lead least lines literary living madness man's matter meaning mind mother myth nature never object observed once Ophelia perhaps person play possible present probably problem Prospero psychoanalytic psychological question reality reason reference regard remains scene seems sense Shakespeare society soliloquy speak stage structure suffering suggest sure symbolic taken theory thought tion tragedy true truth turn unconscious understanding wish writes