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" if, indeed, that can be called composition in which all the images rose up before him as things with a parallel production of the corresponding expressions without any sensation or consciousness of effort. "
The Marlburian - Pagina 34
door Marlborough coll - 1867
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Christabel; Kubla Khan, a vision; The pains of sleep, Volume 1

Samuel Taylor Coleridge - 1816
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared...
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The Poetical Works of S.T. Coleridge: Including the Dramas of Wallenstein ...

Samuel Taylor Coleridge - 1828
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking he appeared...
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The Westminster Review, Volume 12

1829
...which was composed during " a profound sleep, at least of the external senses," " if that, indeed, can be called composition, in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort." The tale is extraordinary,...
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The Poetical Works of S.T. Coleridge: Including the Dramas of ..., Volume 1

Samuel Taylor Coleridge - 1829 - 353 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines; if that indeed can be called composition in which all the images rose up before him as tliingi, with a parallel production of the correspondent expressions, without any sensation or consciousness...
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The Philosophy of Sleep

Robert Macnish - 1834 - 296 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort. On awaking, he appeared...
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The Poetical Works of S.T. Coleridge, Volume 1

Samuel Taylor Coleridge - 1834 - 331 pagina’s
...could not have compound lesH than from two to three hundred lines ; if that unlfi-il CUM be culled composition in which all the images rose up before him as things, with a parallel production of the correspondent expressions, without any sensation or rojiHriipu>siii's.s of effort. On awaking he appeared...
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The Poetical Works of S. T. Coleridge, Volume 1

Samuel Taylor Coleridge - 1835 - 331 pagina’s
...confidence, that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sAsation or consciousness of effort. On awaking he appeared...
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The penny cyclopędia [ed. by G. Long]., Volume 9

Society for the diffusion of useful knowledge - 1837
...ourselves justified iu retaining our inv n failli i hei ein. two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation or consciousness of effort.' On awaking he instantly...
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The Works of Samuel Taylor Coleridge, Prose and Verse: Complete in One Volume

Samuel Taylor Coleridge - 1840 - 546 pagina’s
...confidence that he could not have composed less than from two to three hundred lines ; if that indeed can be called composition in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation, or consciousness of effort. On awaking he appeared...
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The Gentleman's Magazine

1844
...confidence that he could not have composed less than from two to three hundred lines; if that indeed can be called composition, in which all the images...before him as things, with a parallel production of the correspondent expressions, without any sensation, or consciousness of effort. On awaking, he appeared...
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