William Blake and GenderMcFarland, 27 jan 2015 - 220 pagina's The closing years of the eighteenth century were the particular domain of literary radicals whose work challenged ideas on gender and sexuality. During this transitional period, the poetry of William Blake reflected the changing mores of society as well as his own developing notions of gender. This work presents an in-depth exploration of gender issues in Blake's three epic poems, The Four Zoas, Milton and Jerusalem. The opening chapter discusses basic concepts such as notions of apocalypse, utopia and gender, all essential to the author's reading of Blake. Background regarding the literary atmosphere of the time, which included influence from the tradition of dissent, English Jacobinism and early feminism, is also included, effectively setting the context for Blake's work. The book then examines the poems in chronological order. It concentrates particularly on male and female activity within each work (refuting the common assumption that Blake was anti-feminist) while exploring the symbolism of the poetry. Blake's repeated theme of the struggle between the sexes receives special emphasis, as does the progress of his gender vision through the three poems. |
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... di‡cult not to read them as, if not responses to, then at least moving within the same discourse as the one emerging among new radical women writers of that time like Mary Wollstonecraft and Mary Hays. Or—why not?—even as being part and ...
... di‡cult to read his poems primarily as literary utopias. Although conceived at a spiritual and personal level, they certainly depict both some kind of ideal society and the realization of that society so frequently advocated by utopian ...
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Inhoudsopgave
1 | |
9 | |
2Blakes Radical Context | 40 |
3The Gender Utopia of The Four Zoas | 60 |
4The Gender Utopia of Milton | 122 |
5The Gender Utopia of Jerusalem | 158 |
Afterword | 191 |
Bibliography | 197 |
Index | 205 |