comrades, who fled with me into a cave of Mount

Celion, only yesterday, to escape the cruelty of Decius. I will lead you to them.'

"The bishop turned to the governor. 'The hand of God is here,' he said. Then they followed, and a great crowd after them. And Malchus entered first into the cavern to his companions, and the bishop after him. And there they saw the martyrs seated in the cave, with their faces fresh and blooming as roses; so all fell down and glorified God. The bishop and the governor sent notice to Theodosius, and he hurried to Ephesus. All the inhabitants met him and conducted him to the cavern. As soon as the saints beheld the emperor, their faces shone like the sun, and the emperor gave thanks unto God, and embraced them, and said, 'I see you, as though I saw the Savior restoring Lazarus.' Maximian replied, 'Believe us! for the faith's sake, God has resuscitated us before the great resurrection day, in order that you may believe firmly in the resurrection of the dead. For as the child is in its mother's womb living and not suffering, so have we lived without suffering, fast asleep.' And having thus spoken, they bowed

their heads, and their souls returned to their Maker. The emperor, rising, bent over them and embraced them weeping. He gave them orders for golden reliquaries to be made, but that night they appeared to him in a dream, and said that hitherto they had slept in the earth, and that in the earth they desired to sleep on till God should raise them again."

Such is the beautiful story. It seems to have travelled to us from the East. Jacobus Sarugiensis, a Mesopotamian bishop, in the fifth or sixth century, is said to have been the first to commit it to writing. Gregory of Tours (De Glor. Mart. i. 9) was perhaps the first to introduce it to Europe. Dionysius of Antioch (ninth century) told the story in Syrian, and Photius of Constantinople reproduced it, with the remark that Mahomet had adopted it into the Koran. Metaphrastus alludes to it as well; in the tenth century Eutychius inserted it in his annals of Arabia; it is found in the Coptic and the Maronite books, and several early historians, as Paulus Diaconus, Nicephorus, &c., have inserted it in their works.

A poem on the Seven Sleepers was composed by a trouvère named Chardri, and is mentioned by M. Fr. Michel in his "Rapports au Ministre de l'Instruction Public;" a German poem on the same subject, of the thirteenth century, in 935 verses, has been published by M. Karajan; and the Spanish poet, Augustin Morreto, composed a drama on it, entitled "Los Siete Durmientes," which is inserted in the 19th volume of the rare work, "Comedias Nuevas Escogidas de los Mejores Ingenios."

Mahomet has somewhat improved on the story. He has made the Sleepers prophesy his coming, and he has given them a dog named Kratim, or Kratimir, which sleeps with them, and which is endowed with the gift of prophecy.

As a special favor this dog is to be one of the ten animals to be admitted into his paradise, the others being Jonah's whale, Solomon's ant, Ishmael's ram, Abraham's calf, the Queen of Sheba's ass, the prophet Salech's camel, Moses' ox, Belkis' cuckoo, and Mahomet's ass.

It was perhaps too much for the Seven Sleepers to ask, that their bodies should be left to rest in earth. In ages when saintly relics were valued

above gold and precious stones, their request was sure to be shelved; and so we find that their remains were conveyed to Marseilles in a large stone sarcophagus, which is still exhibited in St. Victor's Church. In the Museum Victorium at Rome is a curious and ancient representation of them in a cement of sulphur and plaster. Their names are engraved beside them, together with certain attributes. Near Constantine and John are two clubs, near Maximian a knotty club, near Malchus and Martinian two axes, near Serapion a burning torch, and near Danesius or Dionysius a great nail, such as those spoken of by Horace (Lib. 1, Od. 3) and St. Paulinus (Nat. 9, or Carm. 24) as having been used for torture.

In this group of figures, the seven are represented as young, without beards, and indeed in ancient martyrologies they are frequently called boys.

It has been inferred from this curious plaster representation, that the seven may have suffered under Decius, A. D. 250, and have been buried in the afore-mentioned cave; whilst the discovery and translation of their relics under Theodosius, in 479, may have given rise to the fable. And this I think

probable enough. The story of long sleepers and the number seven connected with it is ancient enough, and dates from heathen mythology.

Like many another ancient myth, it was laid hold of by Christian hands and baptized.

Pliny relates the story of Epimenides the epic poet, who, when tending his sheep one hot day, wearied and oppressed with slumber, retreated into a cave, where he fell asleep. After fifty-seven years he awoke, and found every thing changed. His brother, whom he had left a stripling, was now a hoary man.

Epimenides was reckoned one of the seven sages by those who exclude Periander. He flourished in the time of Solon. After his death, at the age of two hundred and eighty-nine, he was revered as a god, and honored especially by the Athenians.

This story is a version of the older legend of the perpetual sleep of the shepherd Endymion, who was thus preserved in unfading youth and beauty by Jupiter.

According to an Arabic legend, St. George thrice rose from his grave, and was thrice slain.

In Scandinavian mythology we have Siegfrid or