watch in the night. The monk of Hildesheim, doubting how with God a thousand years could be as yesterday, listened to the melody of a bird in the green wood during three minutes, and found that in three minutes three hundred years had flown. Joseph of Arimathæa, in the blessed city of Sarras, draws perpetual life from the Saint Graal; Merlin sleeps and sighs in an old tree, spell-bound of Vivien. Charlemagne and Barbarossa wait, crowned and armed, in the heart of the mountain, till the time comes for the release of Fatherland from despotism. And, on the other hand, the curse of a deathless life has passed on the Wild Huntsman, because he desired to chase the red-deer for evermore; on the Captain of the Phantom Ship, because he vowed he would double the Cape whether God willed it or not; on the Man in the Moon, because he gathered sticks during the Sabbath rest; on the dancers of Kolbeck, because they desired to spend eternity in their mad gambols.

I began this article intending to conclude it with a bibliographical account of the tracts, letters, essays, and books, written upon the Wandering Jew; but I relinquish my intention at the sight of the multi

tude of works which have issued from the press upon the subject; and this I do with less compunction as the bibliographer may at little trouble and expense satisfy himself, by perusing the lists given by Grässe in his essay on the myth, and those to be found in "Notice historique et bibliographique sur les Juifs-errants: par O. B." (Gustave Brunet), Paris, Téchener, 1845; also in the article by M. Mangin, in "Causeries et Méditations historiques et littéraires," Paris, Duprat, 1843; and, lastly, in the essay by Jacob le Bibliophile (M. Lacroix) in his "Curiosités de l'Histoire des Croyances populaires," Paris, Delahays, 1859.

Of the romances of Eugène Sue and Dr. Croly, founded upon the legend, the less said the better. The original legend is so noble in its severe simplicity, that none but a master mind could develop it with any chance of success. Nor have the poetical attempts upon the story fared better. It was reserved for the pencil of Gustave Doré to treat it with the originality it merited, and in a series of woodcuts to produce at once a poem, a romance, and a chef-d'œuvre of art.

A

BOUT the middle of the twelfth century, a

rumor circulated through Europe that there reigned in Asia a powerful Christian Emperor, Presbyter Johannes. In a bloody fight he had broken the power of the Mussulmans, and was ready to come to the assistance of the Crusaders. Great was the exultation in Europe, for of late the news from the East had been gloomy and depressing, the power of the infidel had increased, overwhelming masses of men had been brought into the field against the chivalry of Christendom, and it was felt that the cross must yield before the odious crescent.

The news of the success of the Priest-King opened a door of hope to the desponding Christian

world. Pope Alexander III. determined at once to effect a union with this mysterious personage, and on the 27th of September, 1177, wrote him a letter, which he intrusted to his physician, Philip, to deliver in person.

Philip started on his embassy, but never returned. The conquests of Tschengis-Khan again attracted the eyes of Christian Europe to the East. The Mongol hordes were rushing in upon the west with devastating ferocity; Russia, Poland, Hungary, and the eastern provinces of Germany, had succumbed, or suffered grievously; and the fears of other nations were roused lest they too should taste the misery of a Mongolian invasion. It was Gog and Magog come to slaughter, and the times of Antichrist were dawning. But the battle of Liegnitz stayed them in their onward career, and Europe was saved.

Pope Innocent IV. determined to convert these wild hordes of barbarians, and subject them to the cross of Christ; he therefore sent among them a number of Dominican and Franciscan missioners, and embassies of peace passed between the Pope, the King of France, and the Mogul Khan.

The result of these communications with the East was, that the travellers learned how false were the prevalent notions of a mighty Christian empire existing in Central Asia. Vulgar superstition or conviction is not, however, to be upset by evidence, and the locality of the monarchy was merely transferred by the people to Africa, and they fixed upon Abyssinia, with a show of truth, as the seat of the famous Priest-King. However, still some doubted. John de Plano Carpini and Marco Polo, though they acknowledged the existence of a Christian monarch in Abyssinia, yet stoutly maintained as well that the Prester John of popular belief reigned in splendor somewhere in the dim Orient.

But before proceeding with the history of this strange fable, it will be well to extract the different accounts given of the Priest-King and his realm by early writers; and we shall then be better able to judge of the influence the myth obtained in Europe.

Otto of Freisingen is the first author to mention the monarchy of Prester John with whom we are acquainted. Otto wrote a chronicle up to the date 1156, and he relates that in 1145 the Catholic Bishop of Cabala visited Europe to lay certain complaints