Is second childishness, and mere oblivion ; Sans teeth, sans eyes, sans taste, sans every thing. Re-enter ORLANDO, with ADAM. Adam. So had you need; I scarce can speak to thank you for myself. Duke S. Welcome, fall to: I will not trouble you As yet, to question you about your fortunes Give us some musick; and, good cousin, sing. Amiens sings. SONG. I. Blow, blow, thou winter wind, Thou art not so unkind As man's ingratitude; Thy tooth is not so keen, Because thou art not seen31, Although thy breath be rude. Heigh, ho! sing, heigh, ho! unto the green holly: This life is most jolly. II. Freeze, freeze, thou bitter sky, As friend remember'd not. Heigh, ho! sing, heigh, ho! &c. Duke S. If that you were the good sir Rowland's son, As you have whisper'd faithfully, you were; Be truly welcome hither: I am the duke, [Exeunt. ACT III. SCENE I. A Room in the Palace. Enter Duke FREDERICK, OLIVER, Lords, and Attendants. Duke F. Not see him since? Sir, sir, that cannot be: But were I not the better part made mercy, I should not seek an absent argument Of my revenge, thou present: But look to it; Thy lands, and all things that thou dost call thine, Oli. O, that your highness knew my heart in this! I never lov'd my brother in my life. Duke F. More villain thou.-Well, push him out of doors; And let my officers of such a nature Make an extent upon his house and lands: [Exeunt. SCENE II. The Forest. Enter ORLANDO, with a paper. love ! Orl. Hang there, my verse, in witness of my And, thou, thrice-crowned queen of night", survey With thy chaste eye, from thy pale sphere above, Thy huntress' name, that my full life doth sway. O Rosalind! these trees shall be my books, And in their barks my thoughts I'll character; That every eye, which in this forest looks, Shall see thy virtue witness'd every where. Run, run, Orlando; carve, on every tree, The fair, the chaste, and unexpressive she. Enter CORIN and TOUCHSTONE. [Exit. Cor. And how like you this shepherd's life, master Touchstone? Touch. Truly, shepherd, in respect of itself, it is a good life; but in respect that it is a shepherd's life, it is naught. In respect that it is solitary, I like it very well; but in respect that it is private, it is a very vile life. Now in respect it is in the fields, it pleaseth me well; but in respect it is not in the court, it is te dious. As it is a spare life, look you, it fits my humour well; but as there is no more plenty in it, it goes much against my stomach. Hast any philosophy in thee, shepherd ? Cor. No more, but that I know, the more one sickens, the worse at ease he is; and that he that wants money, means, and content, is without three good friends :-That the property of rain is to wet, and fire to burn: That good pasture makes fat sheep; and that a great cause of the night, is lack of the sun: That he, that hath learned no wit by nature nor art, may complain of good breeding, or comes of a very dull kindred 34. Touch. Such a one is a natural philosopher. Wast ever in court, shepherd? Cor. No, truly, Touch, Then thou art damn'd. Cor. Nay, I hope, Touch. Truly, thou art damn'd; like an ill-roasted egg, all on one side 35 Cor. For not being at court? Your reason. Touch. Why, if thou never wast at court, thou never saw'st good manners; if thou never saw'st good manners, then thy manners must be wicked; and wickedness is sin, and sin is damnation: Thou art in a parlous state, shepherd 36. Cor. Not a whit, Touchstone: those, that are good manners at the court, are as ridiculous in the country, as the behaviour of the country is most mockable at the court. You told me, you salute not at the court, but you kiss your hands; that courtesy would be uncleanly, if courtiers were shepherds. Touch. Instance, briefly; come, instance, |