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Pagina 31
that were heard carlier ( in lines 11 , 2 and 8 , respectively ) . That lexical constellation suggests the answer ( ' The Pythagorean ! ' ) to a query that recalls the poem's initial impulse to question in line 1 : Pythagorean ...
that were heard carlier ( in lines 11 , 2 and 8 , respectively ) . That lexical constellation suggests the answer ( ' The Pythagorean ! ' ) to a query that recalls the poem's initial impulse to question in line 1 : Pythagorean ...
Pagina 33
Lines 4-8 respond to these challenges according to a dialogic mode located within the poetic voice . Even if elsewhere youth is marked by inevitable ignorance ( in “ After Long Silence , " for instance : " young / We loved each other ...
Lines 4-8 respond to these challenges according to a dialogic mode located within the poetic voice . Even if elsewhere youth is marked by inevitable ignorance ( in “ After Long Silence , " for instance : " young / We loved each other ...
Pagina 34
In this way the first six lines of the stanza yield a historical synthesis of what Apollonian art became to Buddha ... In lines 23-24 , symmetrically with the specification of “ midnight " in the penultimate line of Stanza I , there is ...
In this way the first six lines of the stanza yield a historical synthesis of what Apollonian art became to Buddha ... In lines 23-24 , symmetrically with the specification of “ midnight " in the penultimate line of Stanza I , there is ...
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Inhoudsopgave
Anthony L Johnson in His Poetry and Prose | 17 |
Brian Arkins AND LANDS OF MIST | 52 |
Robert Welch in Southern Italy | 69 |
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