A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 56
... stage there was one main entrance , and two side doors . It has been maintained , that from them it might be discovered whether an actor played a principal or under part , as in the first case he came in by the main entrance , but in ...
... stage there was one main entrance , and two side doors . It has been maintained , that from them it might be discovered whether an actor played a principal or under part , as in the first case he came in by the main entrance , but in ...
Pagina 57
... stage - scenery we cannot avoid the use of architectural con- trivances , productive of the same effect on dramatic repre- sentation as frames on pictures . It is consequently much better not to attempt to disguise this fact , but ...
... stage - scenery we cannot avoid the use of architectural con- trivances , productive of the same effect on dramatic repre- sentation as frames on pictures . It is consequently much better not to attempt to disguise this fact , but ...
Pagina 58
... stage curtain , which , we clearly see from a description of Ovid , was not dropped , but drawn upwards , is mentioned both by Greek and Roman writers , and the Latin appellation , aulæum , is even borrowed from the Greeks . I suspect ...
... stage curtain , which , we clearly see from a description of Ovid , was not dropped , but drawn upwards , is mentioned both by Greek and Roman writers , and the Latin appellation , aulæum , is even borrowed from the Greeks . I suspect ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1871 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole