A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 214
... spirit- less pedant . Those even of the learned , who are most zealous for the imitation of the ancients , pronounce it a dull laboured work , without a breath of true poetical spirit ; we may there- fore , without further examination ...
... spirit- less pedant . Those even of the learned , who are most zealous for the imitation of the ancients , pronounce it a dull laboured work , without a breath of true poetical spirit ; we may there- fore , without further examination ...
Pagina 217
... spirit of criticism , with which negative correctness was everything , and in which France gave the tone to the literature of other countries . The affinity is in both undeniable , but , from the intermixture of the musical element in ...
... spirit of criticism , with which negative correctness was everything , and in which France gave the tone to the literature of other countries . The affinity is in both undeniable , but , from the intermixture of the musical element in ...
Pagina 499
... spirit of enterprise , which so many circumstances had thus served to keep alive among their sub- jects , the monarchs of Spain made use of , at the close of the fifteenth and throughout the sixteenth century , in an attempt to obtain ...
... spirit of enterprise , which so many circumstances had thus served to keep alive among their sub- jects , the monarchs of Spain made use of , at the close of the fifteenth and throughout the sixteenth century , in an attempt to obtain ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
Veelvoorkomende woorden en zinsdelen
action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole