A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 67
... sense in the abyss of infinitude ; consequently it exhibits itself as the unfathomable power of Destiny . Hence this power extends also to the world of gods : for the Grecian gods are mere powers of nature ; and although immeasurably ...
... sense in the abyss of infinitude ; consequently it exhibits itself as the unfathomable power of Destiny . Hence this power extends also to the world of gods : for the Grecian gods are mere powers of nature ; and although immeasurably ...
Pagina 185
... sense , self - love . As heroism and self - sacri- fice raise the character to a tragic elevation , so the true comic personages are complete egotists . This must , however , be understood with due limitation : we do not mean that ...
... sense , self - love . As heroism and self - sacri- fice raise the character to a tragic elevation , so the true comic personages are complete egotists . This must , however , be understood with due limitation : we do not mean that ...
Pagina 244
... sense perceives in objects only an indefinite plurality of distinguishable parts ; the judgment , by which we comprehend these into an entire and perfect unity , is in all cases founded on a reference to a higher sphere of ideas . Thus ...
... sense perceives in objects only an indefinite plurality of distinguishable parts ; the judgment , by which we comprehend these into an entire and perfect unity , is in all cases founded on a reference to a higher sphere of ideas . Thus ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole