A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 21
... nature is no doubt everywhere the same ; but in all our investigations , we may observe that , throughout the whole range of nature , there is no elementary power so simple , but that it is capable of dividing and diverging into ...
... nature is no doubt everywhere the same ; but in all our investigations , we may observe that , throughout the whole range of nature , there is no elementary power so simple , but that it is capable of dividing and diverging into ...
Pagina 67
... nature ; in a word , absolves him from nature's guardianship , so the necessity , which alongside of her he must recognize , is no mere natural necessity , but one lying beyond the world of sense in the abyss of infinitude ...
... nature ; in a word , absolves him from nature's guardianship , so the necessity , which alongside of her he must recognize , is no mere natural necessity , but one lying beyond the world of sense in the abyss of infinitude ...
Pagina 148
... nature , admits only of a serious aud earnest representation ; for whoever attempts to represent it , feels himself , as it were , in the presence of a superior being , and is consequently awed and restrained by it . The comic poet ...
... nature , admits only of a serious aud earnest representation ; for whoever attempts to represent it , feels himself , as it were , in the presence of a superior being , and is consequently awed and restrained by it . The comic poet ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole