A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 27
... endeavour of their poetry is to reconcile these two worlds between which we find ourselves divided , and to blend them indissolubly together . The impressions of the senses are to be hallowed , as it were , by a mysterious con- nexion ...
... endeavour of their poetry is to reconcile these two worlds between which we find ourselves divided , and to blend them indissolubly together . The impressions of the senses are to be hallowed , as it were , by a mysterious con- nexion ...
Pagina 233
... endeavour to imitate the ancients showed itself from the very earliest period in France . Moreover , they con- sidered it the surest method of succeeding in this endeavour to observe the outward regularity of form , of which their ...
... endeavour to imitate the ancients showed itself from the very earliest period in France . Moreover , they con- sidered it the surest method of succeeding in this endeavour to observe the outward regularity of form , of which their ...
Pagina 346
... endeavour to enter into his views and to decide upon his merits , I must separate myself from them entirely . I have hardly ever found either truth or profundity in their remarks ; and these critics seem to me to be but stammering ...
... endeavour to enter into his views and to decide upon his merits , I must separate myself from them entirely . I have hardly ever found either truth or profundity in their remarks ; and these critics seem to me to be but stammering ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole