A Course of Lectures on Dramatic Art and LiteratureH.G. Bohn, 1846 - 535 pagina's |
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Pagina 216
... considered as belonging to the regularity of a tragedy . Both these poets , though totally differing in their aim , were never- theless influenced in common by the productions of the French stage . Both , it is true , declared ...
... considered as belonging to the regularity of a tragedy . Both these poets , though totally differing in their aim , were never- theless influenced in common by the productions of the French stage . Both , it is true , declared ...
Pagina 241
... considered as the original author of his own resolutions . For , considered within the province of expe- Q 242 NEW DEFINITION IN THE CONCEPTION OF ACTION . rience.
... considered as the original author of his own resolutions . For , considered within the province of expe- Q 242 NEW DEFINITION IN THE CONCEPTION OF ACTION . rience.
Pagina 360
... considered merely as a sort of interlude , designed to relieve the straining of the mind after the stretch of the more serious parts , so long as no better purpose can be found in them ; but in the progress of the main action , in the ...
... considered merely as a sort of interlude , designed to relieve the straining of the mind after the stretch of the more serious parts , so long as no better purpose can be found in them ; but in the progress of the main action , in the ...
Inhoudsopgave
Preface of the Translator | 1 |
Memoir of the Life of Augustus William Schlegel | 7 |
LECTURE I | 17 |
Copyright | |
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Overige edities - Alles bekijken
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1871 |
A Course of Lectures on Dramatic Art and Literature August Wilhelm von Schlegel Volledige weergave - 1846 |
A Course of Lectures on Dramatic Art and Literature, Volume 1 August Wilhelm von Schlegel Volledige weergave - 1840 |
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action actors admiration altogether ancient appears Aristophanes Aristotle Beaumont and Fletcher beautiful Ben Jonson Cæsar Calderon character chorus circumstances Clytemnestra composition considered Corneille critics death dignity display dramatic art dramatic poet effect Electra elevation endeavour English Eschylus Eumenides Euripides exhibited expression fancy favour feeling French Tragedy frequently give Grecian Greek tragedies Greeks hand heroes heroic honour human idea imitation intrigue invention Italian Julius Cæsar labours language literature manner masks means Menander merely Metastasio mind modern Molière moral nature never noble object observed Old Comedy opera opinion Orestes original painted passion peculiar persons Philoctetes picture pieces Plautus play players poet poetical poetry possess produce Racine racter representation resemblance respect Roman scene Shakspeare Shakspeare's Sophocles Spanish species spectators spirit stage style talent taste theatre theatrical thing tion tone tragedians tragic true truth unity verse versification Voltaire whole