A Course of Lectures on Dramatic Art and Literature

according action admiration allowed already altogether ancients appears attempt beautiful become called carried character circumstances Comedy comic complete composition considered Corneille critics death display drama dramatic effect endeavour English equally Euripides example exhibited expression feeling followed foreign French frequently give Greek Greek tragedies hand Hence human idea imagination imitation impression influence invention Italy language latter least less light living manner means measure merely mind moral nature never object observed once opinion original passion perfection perhaps persons picture pieces Plautus play poet poetical poetry possess present principles produce remains representation represented respect Roman rules scene seems sense Shakspeare Spanish speak species spectators spirit stage taste theatre theatrical thing tion tone tragedy tragic true truth Unity verse whole wished writers