Imagination and the Presence of Shakespeare in Paradise Lost |
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Pagina 46
My purpose in this chapter is to clarify the relationship between fancy and faith , and to do so by suggesting through what theories of poetry and prophecy Milton's formative experience of Shakespearean imagination is likely to have ...
My purpose in this chapter is to clarify the relationship between fancy and faith , and to do so by suggesting through what theories of poetry and prophecy Milton's formative experience of Shakespearean imagination is likely to have ...
Pagina 63
99 ) And though he denies the first part of the equation , poets as prophets , Smith implicitly accepts the second ... In fact , Milton's conception of poetry appears to embrace both the second and third degrees of Smith's hierarchy of ...
99 ) And though he denies the first part of the equation , poets as prophets , Smith implicitly accepts the second ... In fact , Milton's conception of poetry appears to embrace both the second and third degrees of Smith's hierarchy of ...
Pagina 129
The poet associates himself with Orpheus , however , because , although Orphic poetry in itself is illusory , it may be used , as we have seen in the Mask , as the classical shadow or type of divine poetry . This is the implication of ...
The poet associates himself with Orpheus , however , because , although Orphic poetry in itself is illusory , it may be used , as we have seen in the Mask , as the classical shadow or type of divine poetry . This is the implication of ...
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Inhoudsopgave
The Meaning of Magic in the Mask | 11 |
The Icastic Imagination | 46 |
Phantastike Poetry and Our Deception | 83 |
Copyright | |
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