Selected Essays of William Hazlitt 1778 to 1830Read Books Ltd, 18 apr 2013 - 830 pagina's Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
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... face of contemporary criticism is an example of the sureness of his judgment, and, except for his remarkable lapse in placing Macpherson's Ossian alongside Shakespear and Milton, it is difficult to find serious mistakes even by the ...
... face of contemporary criticism is an example of the sureness of his judgment, and, except for his remarkable lapse in placing Macpherson's Ossian alongside Shakespear and Milton, it is difficult to find serious mistakes even by the ...
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... face of a friend whom we have long known, and from whom we have received many benefits. It is because natural objects have been associated with the sports of our childhood, with air and exercise, with our feelings in solitude, when the ...
... face of a friend whom we have long known, and from whom we have received many benefits. It is because natural objects have been associated with the sports of our childhood, with air and exercise, with our feelings in solitude, when the ...
Pagina
... face, and speaks the same wellknown language, striking on the heart, amidst unquiet thoughts and the tumult of the world, like the music of one's native tongue heard in some faroff country. We do not connect the same feelings with the ...
... face, and speaks the same wellknown language, striking on the heart, amidst unquiet thoughts and the tumult of the world, like the music of one's native tongue heard in some faroff country. We do not connect the same feelings with the ...
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... face, look at the fields or the sky, follow a winding path, or enter with eagerness into all the little conflicts and interests of his acquaintances and friends, than doze over a musty spellingbook, repeat barbarous distichs after his ...
... face, look at the fields or the sky, follow a winding path, or enter with eagerness into all the little conflicts and interests of his acquaintances and friends, than doze over a musty spellingbook, repeat barbarous distichs after his ...
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... face of nature or of art. To him “the mighty world of eye and ear” is hid; and “knowledge,” except at one entrance, “quite shut out.” His pride takes part with his ignorance; and his selfimportance rises with the number of things of ...
... face of nature or of art. To him “the mighty world of eye and ear” is hid; and “knowledge,” except at one entrance, “quite shut out.” His pride takes part with his ignorance; and his selfimportance rises with the number of things of ...
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abstract admiration Æschylus appearance beauty Beggar’s Opera better Burke Burke’s caput mortuum character circumstances Coleridge colours common commonplace conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt heart House of Commons human humour idea imagination impression indifference interest Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel man’s manner means mind Molière nature Nether Stowey never object one’s opinion ourselves pain painter painting pass passion perhaps person picture pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought Titian truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write