Selected Essays of William Hazlitt 1778 to 1830Read Books Ltd, 18 apr 2013 - 830 pagina's Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing these classic works in affordable, high quality, modern editions, using the original text and artwork. |
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... Titian, the grace of Raphael, the purity of Domenichino, the corregioscity of Correggio, the learning of Poussin, the airs of Guido, the taste of the Caracci, or the grand contour of Michael Angelo,”—of all those glories of the Italian ...
... Titian, the grace of Raphael, the purity of Domenichino, the corregioscity of Correggio, the learning of Poussin, the airs of Guido, the taste of the Caracci, or the grand contour of Michael Angelo,”—of all those glories of the Italian ...
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... Titian's! I remember, as long ago as the year 1798, going to a neighbouring town (Shrewsbury, where Farquhar has laid the plot of his Recruiting Officer) and bringing home with me, “at one proud swoop,” a copy of Milton's Paradise Lost ...
... Titian's! I remember, as long ago as the year 1798, going to a neighbouring town (Shrewsbury, where Farquhar has laid the plot of his Recruiting Officer) and bringing home with me, “at one proud swoop,” a copy of Milton's Paradise Lost ...
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... Titian. If he had learnt it quite, the merit would still have been Titian's; but he did not learn it, and never would. But his expression (his glory and his excellence) was what he had within himself, first and last; and this it was ...
... Titian. If he had learnt it quite, the merit would still have been Titian's; but he did not learn it, and never would. But his expression (his glory and his excellence) was what he had within himself, first and last; and this it was ...
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... Titian, judges of them at once, and truly. I had rather leave a good portrait of myself behind me than have a fine epitaph. The face, for the most part, tells what we have thought and felt—the rest is nothing. I have a higher idea of ...
... Titian, judges of them at once, and truly. I had rather leave a good portrait of myself behind me than have a fine epitaph. The face, for the most part, tells what we have thought and felt—the rest is nothing. I have a higher idea of ...
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abstract admiration Æschylus appearance beauty Beggar’s Opera better Burke Burke’s caput mortuum character circumstances Coleridge colours common commonplace conversation Correggio death delight effect English Essay expression face fancy favour favourite feeling French French Revolution friends genius give habit hand Hazlitt heart House of Commons human humour idea imagination impression indifference interest Job Orton Lamb laugh learned less live look Lord Lord Byron Lord Keppel man’s manner means mind Molière nature Nether Stowey never object one’s opinion ourselves pain painter painting pass passion perhaps person picture pleasure poet poetry portrait prejudice pretensions principle prose reason Rembrandt seems sense sentiment Shakespear shew sort sound speak spirit style supposed talk taste things thought Titian truth turn understanding vanity virtue vulgar William Hazlitt Winterslow wish words write