Dwight's Journal of Music, Volumes 29-30John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 30
... vocal force was entirely inadequate for the demands of the work , the size of the orchestra , and the dimen- sions of the building . As regards the instruments , the trombones and other brass were too blatant and obtrusive , and needed ...
... vocal force was entirely inadequate for the demands of the work , the size of the orchestra , and the dimen- sions of the building . As regards the instruments , the trombones and other brass were too blatant and obtrusive , and needed ...
Pagina 256
... vocal music Boston is ahead of us , while London is so far in ad- vance that there is no comparison . We have already in these columns explained the reason of this lack of precedence in choral singing in this city . It lies in the fact ...
... vocal music Boston is ahead of us , while London is so far in ad- vance that there is no comparison . We have already in these columns explained the reason of this lack of precedence in choral singing in this city . It lies in the fact ...
Pagina 304
... VOCAL DUETS . " Return of Spring " .. " Greeting " ..... ..Kücken . .Mendelssohn . VOCAL TRIOS . " Tu sol quest Arina " .. " Lift thine eyes " .. Verdi . ...... Elijah . " Protect us through the coming night " ...... Curshman . VOCAL ...
... VOCAL DUETS . " Return of Spring " .. " Greeting " ..... ..Kücken . .Mendelssohn . VOCAL TRIOS . " Tu sol quest Arina " .. " Lift thine eyes " .. Verdi . ...... Elijah . " Protect us through the coming night " ...... Curshman . VOCAL ...
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accompaniment admirable Allegro Andante Aria artist audience Bach Bach's ballad bass beautiful Beethoven Berlioz better Boston character charming choir Chopin choral chorus church composer composition concert dramatic effect English feeling Festival flat Fugue genius German give given grand Handel harmony Haydn hear heard Herr instruments interest Italian J. S. Bach Liszt Lohengrin master melody Mendelssohn ment Meyerbeer minor Miss Mlle movement Mozart Music Hall Musical Director musicians never noble opera oratorio orchestra organ Overture Passion Passion Music performance pianist piano pianoforte piece played popular present programme pupils Quartet recitative rendering Richard Wagner Ritter Robert Franz Rossini sang scene Scherzo Schubert Schumann season Signor sing singers Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner Weber whole words young