Dwight's Journal of Music, Volumes 29-30John Sullivan Dwight Oliver Ditson & Company, 1967 |
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Pagina 353
... Four " Fidelio " Overtures . [ From the London Athenæum , Nov. 5 ] . The fact that Beethoven composed four over- tures to the only opera which has emanated from his fertile brain , is evidence of the deep in- terest he must have taken ...
... Four " Fidelio " Overtures . [ From the London Athenæum , Nov. 5 ] . The fact that Beethoven composed four over- tures to the only opera which has emanated from his fertile brain , is evidence of the deep in- terest he must have taken ...
Pagina 372
... four Ambrosian authentic modes four additional modes , called plagal , that is derived or borrowed , being taken from the an thentic , by simply beginning the order of notes a While we write , the Beethoven Centennial is cele- fourth ...
... four Ambrosian authentic modes four additional modes , called plagal , that is derived or borrowed , being taken from the an thentic , by simply beginning the order of notes a While we write , the Beethoven Centennial is cele- fourth ...
Pagina 419
... four . five and six voices . Two others , in MS . One ditto , for eight voices . Two volumes of Motets , for four voices . Five volumes of Motets , for five voices . One volume of Offertories ( 68 pieces ) . Two volumes of Litanies ...
... four . five and six voices . Two others , in MS . One ditto , for eight voices . Two volumes of Motets , for four voices . Five volumes of Motets , for five voices . One volume of Offertories ( 68 pieces ) . Two volumes of Litanies ...
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accompaniment admirable Allegro Andante Aria artist audience Bach Bach's ballad bass beautiful Beethoven Berlioz better Boston character charming choir Chopin choral chorus church composer composition concert dramatic effect English feeling Festival flat Fugue genius German give given grand Handel harmony Haydn hear heard Herr instruments interest Italian J. S. Bach Liszt Lohengrin master melody Mendelssohn ment Meyerbeer minor Miss Mlle movement Mozart Music Hall Musical Director musicians never noble opera oratorio orchestra organ Overture Passion Passion Music performance pianist piano pianoforte piece played popular present programme pupils Quartet recitative rendering Richard Wagner Ritter Robert Franz Rossini sang scene Scherzo Schubert Schumann season Signor sing singers Society solo Sonata song soprano style success sung sweet Symphony Tannhäuser taste tenor theatre thing tion tone Trio violin vocal voice Wagner Weber whole words young