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was disturbed at midnight by the blast of a horn. He sent out his attendants by two and two, but no one returned with tidings. At length, when he was left alone, the sound was heard still louder. The champion descended, sword in hand; and, at the gate of the tower, was encountered by the headless spectre of Fawdoun, whom he had slain so rashly. Wallace, in great terror, fled up into the tower, tore open the boards of a window, leapt down fifteen feet in height, and continued his flight up the river. Looking back to Gask, he discovered the tower on fire, and the form of Fawdon upon the battlements, dilated to an immense size, and holding in his hand a blazing rafter. The Minstrel concludes,

"Trust ryght wele, that all this be sooth indeed, Supposing it to be no point of the creed."

The Wallace, Book v.

Mr. Ellis has extracted this tale as a sample of Henry's poetry. Specimens of English Poetry, vol. i. p. 351.

copy than is usually published. The poetical mantle of Sir Gilbert Elliot has descended to his family.

"My sheep I neglected, I broke my sheep-hook, And all the gay haunts of my youth I forsook: No more for Amynta fresh garlands I wove; Ambition, I said, would soon cure me of love. But what had my youth with ambition to do! Why left I Amynta! why broke I my vow!

"Through regions remote in vain do I rove,
And bid the wide world secure me from love.
Ah, fool, to imagine, that aught could subdue
A love so well founded, a passion so true!
Ah, give me my sheep, and my sheep-hook restore!
And I'll wander from love and Amynta no more!
"Alas! 'tis too late at thy fate to repine!
Poor shepherd, Amynta, no more can be thine!
Thy tears are all fruitless, thy wishes are vain,
The moments neglected return not again.
Ah! what had my youth with ambition to do!
Why left I Amynta! why broke I my vow!"

NOTE R.

the Moat-hill's mound,

Where Druid's shades still flitted round.-P. 12.

This is a round artificial mount near Hawick, which, from its name, (Mat. Ang. Sax. Concilium, Conventus,) was probably anciently used as a place for assembling a national council of the adjacent tribes. There are many such mounds in Scotland, and they are sometimes, but rarely, of a square form.

NOTE S.

the tower of Hazeldean.-P. 13.

The estate of Hazeldean, corruptly Hassendean, belonged formerly to a family of Scotts, thus commemorated by Satchells:

"Hassendean came without a call,
The ancientest house among them all."

NOTE T.

On Minto-crags the moon-beams glint.—P. 13.

A romantic assemblage of cliffs, which rise suddenly above the vale of Teviot, in the immediate vicinity of the family-seat, from which Lord Minto takes his title. A small platform, on a projecting crag, commanding a most beautiful prospect, is termed Barnhills' Bed. This Barnhills is said to have been a robber, or outlaw. There are remains of a strong tower beneath the rocks, where he is supposed to have dwelt, and from which he derived his name. On the summit of the crags are the fragments of another ancient tower, in a picturesque situation. Among the houses cast down by the Earl of Hartforde, in 1545, occur the towers of Easter Barnhills, and of Minto-crag, with Minto town and place. Sir Gilbert Elliot, father to the present Lord Minto, was the author of a beautiful pastoral song, of which the following is a more correct

1 Grandfather to the present Earl. 1819.

NOTE U.

Ancient Riddell's fair domain.-P. 13.

The family of Riddell have been very long in possession of the barony called Riddell, or Ryedale, part of which still bears the latter name. Tradition carries their antiquity to a point extremely remote; and is, in some degree, sanctioned by the discovery of two stone coffins, one containing an earthen pot filled with ashes and arms, bearing a legible date, A. D. 727; the other dated 936, and filled with the bones of a man of gigantic size. These coffins were discovered in the foundations of what was, but has long ceased to be, the chapel of Riddell; and as it was argued, with plausibility, that they contained the remains of some ancestors of the family, they were deposited in the modern place of sepulture, comparatively so termed, though built in 1110. But the following curious and authentic documents warrant most conclusively the epithet of "ancient Riddell :" 1st, A charter by David I. to Walter Rydale, Sheriff of Roxburgh, confirming all the estates of Liliesclive, &c., of which his father, Gervasius de Rydale, died possessed. 2dly, A bull of Pope Adrian IV., confirming the will of Walter de Ridale, knight, in favour of his brother Anschittil de Ridale, dated 8th April, 1155. 3dly, A bull of Pope Alexander III., confirming the said will of Walter de Ridale, bequeathing to his brother Anschittil the lands of Liliesclive, Whettunes, &c., and ratifying the bargain betwixt Anschittil and Huctredus, concerning the church of Liliesclive, in consequence of the mediation of Malcolm II., and confirmed by a charter from that monarch. This bull is dated 17th June, 1160. 4thly, A bull of the same Pope, confirming the will of Sir Anschittil de Ridale, in favour of his son Walter, conveying the said lands of Liliesclive and others, dated 10th March, 1120. It is remarkable, that Liliesclive, otherwise Rydale, or Riddell, and the Whittunes, have descended, through a long train of ancestors, without ever passing into a collateral line, to the person of Sir John Buchanan Riddell, Bart. of Riddell, the lineal descendant and representative of Sir Anschittil.-These circumstances appeared worthy of notice in a Border work.2

Since the above note was written, the ancient family of Riddell have parted with all their Scotch estates.-ED.

NOTE V.

But when Melrose he reach'd 'twas silence all;
He meetly stabled his steed in stall,

And sought the convent's lonely wall.-P. 13.

The ancient and beautiful monastery of Melrose was founded by King David I. Its ruins afford the finest specimen of Gothic architecture and Gothic sculpture which Scotland can boast. The stone of which it is built, though it has resisted the weather for so many ages, retains perfect sharpness, so that even the most minute ornaments seem as entire as when newly wrought. In some of the cloisters, as is hinted in the next Canto, there are representations of flowers, vegetables, &c., carved in stone, with accuracy and precision so delicate, that we almost distrust our senses, when we consider the difficulty of subjecting so hard a substance to such intricate and exquisite modulation. This superb convent was dedicated to St. Mary, and the monks were of the Cistertian order. At the time of the Reformation, they shared the general reproach of sensuality and irregularity, thrown upon the Roman churchmen. The old words of Galashiels, a favourite Scotch air, ran thus:

O the monks of Melrose made gude kale,
On Fridays when they fasted.

They wanted neither beef nor ale,
As long as their neighbours' lasted.

1 Kale, Broth.

NOTE W.

When buttress and buttress, alternately,
Seem framed of ebon and ivory;
When silver edges the imagery,

And the scrolls that teach thee to live and die.

Then view St. David's ruin'd pile.-P. 14.

The buttresses ranged along the sides of the ruins of Melrose Abbey, are, according to the Gothic style, richly carved and fretted, containing niches for the statues of saints, and labelled with scrolls, bearing appropriate texts of Scripture. Most of these statues have been demolished.

David I. of Scotland, purchased the reputation of sanctity, by founding, and liberally endowing, not only the monastery of Melrose, but those of Kelso, Jedburgh, and many others; which led to the well-known observation of his successor, that he was a sore saint for the crown.

gularly told their beads, and never with more zeal than when going on a plundering expedition.

NOTE Y.

So had he seen, in fair Castile,

The youth in glittering squadrons start ;
Sudden the flying jennet wheel,

And hurl the unexpected dart.-P. 15.

"By my faith," sayd the Duke of Lancaster, (to a Portuguese squire,) "of all the feates of armes that the Castellyans, and they of your countrey doth use, the castynge of their dertes best pleaseth me, and gladly I wolde se it: for, as I hear say, if they strike one aryghte, without he be well armed, the dart will pierce him thrughe."-" By my fayth, sir," sayd the squyer, "ye say trouth; for I have seen many a grete stroke given with them, which at one time cost us derely, and was to us great displeasure; for, at the said skyrmishe, Sir John Lawrence of Coygne was striken with a dart in such wise, that the head perced all the plates of his cote of mayle, and a sacke stopped with sylke, and passed thrughe his body, so that he fell down dead."-FROISSART, vol. ii. ch. 44.-This mode of fighting with darts was imitated in the military game called Jeugo de las canas, which the Spaniards borrowed from their Moorish invaders. A Saracen champion is thus described by Froissart: "Among the Sarazyns, there was a yonge knight called Agadinger Dolyferne; he was always wel mounted on a redy and a lyght horse; it seemed, when the horse ranne, that he did fly in the ayre. The knighte seemed to be a good man of armes by his dedes; he bare always of usage three fethered dartes, and rychte well he could handle them; and, according to their custome, he was clene armed, with a long white towell about his head. His apparell was blacke, and his own colour browne, and a good horseman. The Crysten men say, they thoughte he dyd such deeds of armes for the love of some yonge ladye of his countrey. And true it was, that he loved entirely the King of Thune's daughter, named the Lady Azala; she was inherytor to the realme of Thune, after the discease of the kyng, her father. This Agadinger was sone to the Duke of Olyferne. I can nat telle if they were married together after or nat; but it was shewed me, that this knyght, for love of the sayd ladye, during the siege, did many feates of armes. The knyghtes of France wold fayne have taken hym; but they colde never attrape nor inclose him; his horse was so swyft, and so redy to his hand, that alwaics he escaped."-Vol. ii. ch. 71.

NOTE X.

For mass or prayer can I rarely tarry,
Save to patter an Ave Mary,
When I ride on a Border foray.-P. 14.

NOTE Z.

And there the dying lamps did burn,
Before thy low and lonely urn,

O gallant Chief of Otterburne!-P. 15.

The famous and desperate battle of Otterburne was fought 15th August 1388, betwixt Henry Percy, called Hotspur, and James, Earl of Douglas. Both these renowned champions were at the head of a chosen body of troops, and they were rivals in military fame; so that Froissart affirms, "Of all the battayles and encounteryngs that I have made mencion of here before in all this hystory, great or smalle, this battayle that

The Borderers were, as may be supposed, very ignorant about religious matters. Colville, in his Paranesis, or Admonition, states, that the reformed divines were so far from undertaking distant journeys to convert the Heathen, "as II treat of nowe was one of the sorest and best foughten, withwold wis at God that ye wold only go bot to the Hielands and Borders of our own realm, to gain our awin countreymen, who, for lack of preching and ministration of the sacraments, must, with tyme, becum either infidells, or atheists." But we learn, from Lesley, that, however deficient in real religion, they re

out cowardes or faynte hertes: for there was neyther knyghte nor squyer but that dyde his devoyre, and foughte hande to hande. This batayle was lyke the batayle of Becherell, the which was valiauntly fought and endured." The issue of the conflict is well known: Percy was made prisoner, and the

Scots won the day, dearly purchased by the death of their gallant general, the Earl of Douglas, who was slain in the action. He was buried at Melrose, beneath the high altar. "His obsequye was done reverently, and on his bodye layde a tombe of stone, and his baner hangyng over hym."-FROIS SART, vol. ii. p. 165.

to a set of round posts, begirt with slender rods of willow, whose loose summits were brought to meet from all quarters, and bound together artificially, so as to produce the framework of the roof: and the tracery of our Gothic windows is displayed in the meeting and interlacing of rods and hoops, affording an inexhaustible variety of beautiful forms of open work. This ingenious system is alluded to in the romance. Sir James Hall's Essay on Gothic Architecture is published in The Edinburgh Philosophical Transactions.

NOTE 2 A.

Dark Knight of Liddesdale.-P. 15.

William Douglas, called the Knight of Liddesdale, flourished during the reign of David II., and was so distinguished by his valour, that he was called the Flower of Chivalry. Nevertheless, he tarnished his renown by the cruel murder of Sir Alexander Ramsay of Dalhousie, originally his friend and brother in arms. The King had conferred upon Ramsay the sheriffdom of Teviotdale, to which Douglas pretended some claim. In revenge of this preference, the Knight of Liddesdale came down upon Ramsay, while he was administering justice at Hawick, seized and carried him off to his remote and inaccessible castle of Hermitage, where he threw his unfortunate prisoner horse and man, into a dungeon, and left him to perish of hunger. It is said, the miserable captive prolonged his existence for several days by the corn which fell from a granary above the vault in which he was confined.1 So weak was the royal authority, that David, although highly incensed at this atrocious murder, found himself obliged to appoint the Knight of Liddesdale successor to his victim, as Sheriff of Teviotdale. But he was soon after slain, while hunting in Ettrick Forest, by his own godson and chieftain, William, Earl of Douglas, in revenge, according to some authors, of Ramsay's murder; although a popular tradition, preserved in a ballad quoted by Godscroft, and some parts of which are still preserved, ascribes the resentment of the Earl to jealousy. The place where the Knight of Liddesdale was killed, is called, from his name, William Cross, upon the ridge of a hill called William-hope, betwixt Tweed and Yarrow. His body, according to Godscroft, was carried to Lindean church the first night after his death, and thence to Melrose where he was interred with great pomp, and where his tomb is still shown.

NOTE 2 B.

The moon on the east oriel shone.-P. 15.

It is impossible to conceive a more beautiful specimen of the lightness and elegance of Gothic architecture, when in its purity, than the eastern window of Melrose Abbey. Sir James Hall of Dunglas, Bart., has, with great ingenuity and plausibility, traced the Gothic order through its various forms and seemingly eccentric ornaments, to an architectural imitation of wicker work; of which, as we learn from some of the legends, the earliest Christian churches were constructed. In such an edifice, the original of the clustered pillars is traced

1 There is something affecting in the manner in which the old Prior of Lochleven turns from describing the death of the gallant Ramsay, to the general sorrow which it excited :

"To tell you there of the manere,
It is bot sorrow for til here;
He wes the grettast menyd man
That ony cowth have thowcht of than,
Of his state, or of mare be fare:
All menyt him, bath bettyr and war;

era.

NOTE 2 C.

The wondrous Michael Scott.-P. 15.

Sir Michael Scott of Balwearie flourished during the 13th century, and was one of the ambassadors sent to bring the Maid of Norway to Scotland upon the death of Alexander III. By a poetical anachronism, he is here placed in a later He was a man of much learning, chiefly acquired in foreign countries. He wrote a commentary upon Aristotle, printed at Venice in 1496; and several treatises upon natural philosophy, from which he appears to have been addicted to the abstruse studies of judicial astrology, alchymy, physiognomy, and chiromancy. Hence he passed among his contemporaries for a skilful magician. Dempster informs us, that he remembers to have heard in his youth, that the magic books of Michael Scott were still in existence, but could not be opened without danger, on account of the malignant fiends who were thereby invoked. Dempsteri Historia Ecclesiastica, 1627, lib. xii. p. 495. Lesly characterises Michael Scott as "singularie philosophic, astronomiæ, ac medicinæ laude prestans; dicebatur penitissimos magiæ recessus indagâsse." Dante also mentions him as a renowned wizard :

Α

"Quell altro che ne' fianchi è così poco,
Michele Scotto fu, che veramente
Delle magiche frodè seppe il giuoco."
Inferno, Canto xxmo.

personage, thus spoken of by biographers and historians, loses little of his mystical fame in vulgar tradition. Accordingly, the memory of Sir Michael Scott survives in many a legend; and in the south of Scotland, any work of great labour and antiquity, is ascribed, either to the agency of Auld Michael, of Sir William Wallace, or of the devil. Tradition varies concerning the place of his burial; some contend for Home Coltrame, in Cumberland; others for Melrose Abbey. But all agree, that his books of magic were interred in his grave, or preserved in the convent where he died. Satchells, wishing to give some authority for his account of the origin of the name of Scott, pretends, that, in 1629, he chanced to be at Burgh under Bowness, in Cumberland, where a person, named Lancelot Scott, showed him an extract from Michael Scott's works, containing that story :

"He said the book which he gave me
Was of Sir Michael Scott's historie;
Which history was never yet read through,
Nor never will, for no man dare it do.

The ryche and pure him menyde bath,
For of his dede wes mekil skath."

Some years ago, a person digging for stones, about the old castle of Hermitage, broke into a vault, containing a quantity of chaff, some bones, and pieces of iron; amongst others, the curb of an ancient bridle which the author has since given to the Earl of Dalhousie, under the impression that it possibly may be a relic of his brave ancestor. The worthy clergyman of the parish has mentioned this discovery in his Statistical Account of Castletown.

Young scholars have pick'd out something
From the contents, that dare not read within.

He carried me along the castle then,

And shew'd his written book hanging on an iron pin.

His writing pen did seem to me to be

Of hardened metal, like steel, or accumie;

The volume of it did seem so large to me,

As the Book of Martyrs and Turks historie.

Then in the church he let me see

A stone where Mr. Michael Scott did lie;

I asked at him how that could appear,

Mr. Michael had been dead above five hundred year?
He shew'd me none durst bury under that stone,
More than he had been dead a few years agone;
For Mr. Michael's name does terrifie each one."

expected to find some prophetic intimation of the event of the war. Accordingly, his train being furnished with torches, so artificially composed that the tempest could not extinguish them, the King, with great difficulty, penetrated into a square hall, inscribed all over with Arabian characters. In the midst stood a colossal statue of brass, representing a Saracen wielding a Moorish mace, with which it discharged furious blows on all sides, and seemed thus to excite the tempest which raged around. Being conjured by Roderic, it ceased from striking, until he read, inscribed on the right hand, "Wretched Monarch, for thy evil hast thou come hither;" on the left hand, Thou shall be dispossessed by a strange people;" on one shoulder, " I invoke the sons of Hagar;" on the other, "I do mine office." When the King had deciphered these ominous inscriptions, the statue returned to its exercise, the

History of the Right Honourable Name of SCOTT. tempest commenced anew, and Roderic retired, to mourn

NOTE 2 D.

Salamanca's cave.-P. 15.

Spain, from the relics, doubtless, of Arabian learning and superstition, was accounted a favourite residence of magicians. Pope Sylvester, who actually imported from Spain the use of the Arabian numerals, was supposed to have learned there the magic, for which he was stigmatized by the ignorance of his age.-WILLIAM of Malmsbury, lib. ii. cap. 10. There were public schools, where magic, or rather the sciences supposed to involve its mysteries, were regularly taught, at Toledo, Seville, and Salamanca. In the latter city, they were held in a deep cavern; the mouth of which was walled up by Queen Isabella, wife of King Ferdinand.—D'AUTON on Learned Incredulity, p. 45. These Spanish schools of magic are celebrated also by the Italian poets of romance :

"Questo città di Tolleto solea
Tenere studio di negromanzia,
Quivi di magica arte si leggea
Pubblicamente, e di peromanzia ;
E molti geomanti sempre avea,
Esperimenti assai d' idromanzia
E d'altre false opinion' di sciocchi
Come è fatture, o spesso batter gli occhi."

Il Morgante Maggiore, Canto xxv. St. 259.

over the predicted evils which approached his throne. He caused the gates of the cavern to be locked and barricaded; but, in the course of the night, the tower fell with a tremendous noise, and under its ruins concealed for ever the entrance to the mystic cavern. The conquest of Spain by the Saracens, and the death of the unfortunate Don Roderic, fulfilled the prophecy of the brazen statue. Historia verdadera del Rey Don Rodrigo por el Sabio Alcayde Abulcacim, traduzeda de la lengua Arabiga por Miquel de Luna, 1654, cap. vi.

NOTE 2 E.

The bells would ring in Notre Dame.-P. 15.

“Tantamne rem tam negligenter ?" says Tyrwhitt, of his predecessor, Speight; who, in his commentary on Chaucer, had omitted, as trivial and fabulous, the story of Wade and his boat Guingelot, to the great prejudice of posterity, the memory of the hero and the boat being now entirely lost. That future antiquaries may lay no such omission to my charge, I have noted one or two of the most current traditions concerning Michael Scott. He was chosen, it is said, to go upon an embassy, to obtain from the King of France satisfaction for certain piracies committed by his subjects upon those of Scotland. Instead of preparing a new equipage and splendid retinue, the ambassador retreated to his study, opened his book, and evoked a fiend in the shape of a huge black horse, mounted upon his back, and forced him to fly through the air towards France. As they crossed the sea, the devil insidiously asked his rider, What it was that the old women of Scotland muttered at bed-time? A less experienced wizard might have answered that it was the Pater Noster, which would have licensed the devil to precipitate him from his back. But Michael sternly replied, "What is that to thee?-Mount, Diabolus, and fly!" When he arrived at Paris, he tied his horse to the gate of the palace, entered, and boldly delivered his message. An ambassador, with so little of the pomp and circumstance of diplomacy, was not received with much respect, and the King was about to return a contemptuous refusal to his demand, when Michael besought

The celebrated magician Maugis, cousin to Rinaldo of Montalban, called, by Ariosto, Malagigi, studied the black art at Toledo, as we learn from L'Histoire de Maugis D'Aygremont. He even held a professor's chair in the necromantic university; for so I interpret the passage, "qu'on tous les sept ars d'enchantement, des charmes et conjurations, il n'y avoit meillieur maistre que lui; et en tel renom qu'on le laissoit en chaise, et l'appelloit on maistre Maugis." This Salamancan Domdaniel is said to have been founded by Hercules. If the classic reader inquires where Hercules himself learned magic, he may consult " Les faicts et processes du noble et vaillant Hercules," where he will learn, that the fable of his aid-him to suspend his resolution till he had seen his horse stamp ing Atlas to support the heavens, arose from the said Atlas having taught Hercules, the noble knight-errant, the seven liberal sciences, and in particular, that of judicial astrology. Such, according to the idea of the middle ages, were the studies, "maximus quæ docuit Atlas."—In a romantic history of Roderic, the last Gothic King of Spain, he is said to have entered one of those enchanted caverns. It was situated beneath an ancient tower near Toledo; and when the iron gates, which secured the entrance, were unfolded, there rushed forth so dreadful a whirlwind, that hitherto no one had dared to penetrate into its recesses. But Roderic, threatened with an invasion of the Moors, resolved to enter the cavern, where he

three times. The first stamp shook every steeple in Paris, and caused all the bells to ring; the second threw down three of the towers of the palace; and the infernal steed had lifted his hoof to give the third stamp, when the King rather chose to dismiss Michael, with the most ample concessions, than to stand to the probable consequences. Another time, it is said, that, when residing at the Tower of Oakwood, upon the Ettrick, about three miles above Selkirk, he heard of the fame of a sorceress, called the Witch of Falsehope, who lived on the opposite side of the river. Michael went one morning to put her skill to the test, but was disappointed, by her denying positively any knowledge of the necromantic art. In his dis

course with her, he laid his wand inadvertently on the table, which the hag observing, suddenly snatched it up, and struck him with it. Feeling the force of the charm, he rushed out of the house; but, as it had conferred on him the external appearance of a hare, his servant, who waited without, halloo'd upon the discomfited wizard his own greyhounds, and pursued him so close, that, in order to obtain a moment's breathing to reverse the charm, Michael, after a very fatiguing course, was fain to take refuge in his own jawhole (An- | glice, common sewer.) In order to revenge himself of the witch of Falsehope, Michael, one morning in the ensuing harvest, went to the hill above the house with his dogs, and sent down his servant to ask a bit of bread from the goodwife for his greyhounds, with instructions what to do if he met with a denial. Accordingly, when the witch had refused the boon with contumely, the servant, as his master had directed, laid above the door a paper which he had given him, containing, amongst many cabalistical words, the well-known rhyme,

"Maister Michael Scott's man
Sought meat, and gat nane."

NOTE 2 G.

That lamp shall burn unquenchably,
Until the eternal doom shall be.-P. 16.

Baptista Porta, and other authors who treat of natural magic, talk much of eternal lamps, pretended to have been found burning in ancient sepulchres. Fortunius Licetus investigates the subject in a treatise, De Lucernis Antiquorum Reconditis, published at Venice, 1621. One of these perpetual lamps is said to have been discovered in the tomb of Tulliola, the daughter of Cicero. The wick was supposed to be composed of asbestos. Kircher enumerates three different recipes for constructing such lamps; and wisely concludes, that the thing is nevertheless impossible.—Mundus Subterranneus, p. 72. Delrio imputes the fabrication of such lights to magical skill.—Disquisitiones Magicæ, p. 58. In a very rare romance, which "treateth of the life of Virgilius, and of his deth, and many marvayles that he dyd in his lyfe-time, by wychecrafte and nygramancye, throughe the helpe of the devyls of hell," mention is made of a very extraordinary process, in which one of these mystical lamps was employed. It seems that Virgil, as he advanced in years, became desirous of renovating his youth by magical art. For this purpose he constructed a solitary tower, having only one narrow portal, in which he placed twenty-four copper figures, armed with iron flails, twelve on each side of the porch. These enchanted statues struck with their flails incessantly, and rendered all entrance impossible, unless when Virgil touched the spring, which stopped their motion. To this tower he repaired privately, attended by one trusty servant, to whom he communicated the secret of the entrance, and hither they conveyed all the magician's treasure. "Then sayde Virgilius, my dere beloved frende, and he that I above alle men truste and knowe mooste of my secret;" and then he led the man into a cellar, where he made a fayer lamp at all seasons burnynge. "And then sayd Virgilius to the man, 'Se you the barrel that standeth here?' and he sayd, yea: Therein must thou put me: fyrst ye must slee me, and hewe me smalle to pieces, and cut my hed in iiii pieces, and salte the heed under in the bottom, and then the pieces there after, and my herte in the myddel, and then set the barrel under the lampe, that nyghte and day the fat therein may droppe and leake; and ye shall ix dayes long, ones in the day, fyll the lampe, and fayle nat. And when this is all done, then shall I be reneued, and made yonge agen." At this extraordinary proposal, the confidant was sore abash

Immediately the good old woman, instead of pursuing her domestic occupation, which was baking bread for the reapers, began to dance round the fire, repeating the rhyme, and continued this exercise till her husband sent the reapers to the house, one after another, to see what had delayed their provision; but the charm caught each as they entered, and, losing all idea of returning, they joined in the dance and chorus. At length the old man himself went to the house; but as his wife's frolic with Mr. Michael, whom he had seen on the hill, made him a little cautious, he contented himself with looking in at the window, and saw the reapers at their involuntary exercise, dragging his wife, now completely exhausted, sometimes round, and sometimes through, the fire, which was, as usual, in the midst of the house. Instead of entering, he saddled a horse, and rode up the hill, to humble himself before Michael, and beg a cessation of the spell; which the good-natured warlock immediately granted, directing him to enter the house backwards, and, with his left hand, take the spell from above the door; which accordingly ended the supernatural dance.-This tale was told less particularly in former editions, and I have been censured for inaccuracy in doing so. A similar charm occurs in Huon de Bourdeaux, and in the ingenious Oriental tale, called the Caliph Vathek. Notwithstanding his victory over the witch of False hope, Michael Scott, like his predecessor, Merlin, fell at last a vic-ed, and made some scruple of obeying his master's commands. tim to female art. His wife, or concubine, elicited from him the secret, that his art could ward off any danger except the poisonous qualities of broth, made of the flesh of a breme sow. Such a mess she accordingly administered to the wizard, who died in consequence of eating it; surviving, however, long enough to put to death his treacherous confidant.

NOTE 2 F.

The words that cleft Eildon hills in three.-P. 15.

Michael Scott was, once upon a time, much embarrassed by a spirit, for whom he was under the necessity of finding constant employment. He commanded him to build a cauld, or dam-head, across the Tweed at Kelso; it was accomplished in one night, and still does honour to the infernal architect. Michael next ordered, that Eildon hill, which was then a uniform cone, should be divided into three. Another night was sufficient to part its summit into the three picturesque peaks which it now bears. At length the enchanter conquered this indefatigable demon, by employing him in the hopeless and endless task of making ropes out of sca-sand.

At length, however, he complied, and Virgil was slain, pickled, and barrelled up, in all respects according to his own direction. The servant then left the tower, taking care to put the copper thrashers in motion at his departure. He continued daily to visit the tower with the same precaution. Meanwhile, the emperor, with whom Virgil was a great favourite, missed him from the court, and demanded of his servant where he was. The domestic pretended ignorance, till the emperor threatened him with death, when at length he conveyed him to the enchanted tower. The same threat extorted a discovery of the mode of stopping the statues from wielding their flails. "And then the emperour entered into the castle with all his folke, and sought all aboute in every corner after Virgilius; and at the laste they sought so longe, that they came into the seller, where they sawe the lampe hang over the barrell, where Virgilius lay in deed. Then asked the emperour the man, who had made hym so herdy to put his mayster Virgilius so to dethe; and the man answered no worde to the emperour. And then the emperour, with great anger, drewe out his sworde, and slewe he there Virgilius' man. And when all this was done, then sawe the emperour, and all his folke, a naked child iii tymes rennynge about the barrell, saynge these wordes, Cursed be the tyme that ye ever came here.' And with those words vanyshed the chylde awaye, and was never sene ageyn; and thus abyd Virgilius in the barrell deed.”—

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