The Piano-Forte

Voorkant
Cambridge University Press, 24 jul 2014 - 528 pagina's
Originally published in 1933, this book provides a detailed history of the piano-forte from its invention in Italy in the eighteenth century until the presentation of the first European cast-iron frame for a piano at the 1851 Great Exhibition. Harding also analyses the role of the piano as a replacement for a chamber orchestra and its history as a domestic instrument. The text is richly illustrated with images of pianos produced by a variety of makers over time, as well as with images of piano machinery taken from patent registrations. This thoroughly-researched book will be of value to anyone with an interest in one of the most ubiquitous instruments in the Western world and the history of its development.
 

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The invention of the Pianoforte in France page
11
The invention and development of the Piano
16
III
27
The Tangent Action and the Cembalo Stop page
48
Later developments in France page
73
The Pianoforte in America page
79
The pianoforte was at first considered to be of doubtful valueprobably used as a cheap
83
Devices for the purpose of sustaining the tone page
94
Pianoforte makers dislike of the use of metaladditional higher octaves and higher pitch
213
disadvantages of temperament
219
Some other types of Pianofortes in the home page
260
Pedal transposing and selfacting Pianofortes
276
Pedal pianofortes patentstransposing pianofortesvarious ways in which they could
285
Tuning the Pianoforte and apparatus
294
A Technical terms page
309
List of patents
317

Octave couplers and Duoclave Pianofortes page
105
The influence of programme music upon
112
Turkish musicthe Russian Horn bandRussian nobles not content with their Horn
124
SECTION II
151
Some improvements in the construction of
177
The metal frame page
198
Concerning wire
359
E Feltmaking tinder and sponge for hammer heads
373
G Select list of English Pianoforte makers in London
385
H A note on pedal signs
410
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