Wood has his information from his brother, whose narrative placed him at Cambridge, in opposition to that of his neighbours, which sent him to Oxford. The brother seems the best authority, till, by confessing his inability to tell his hall or college, he gives reason to suspect that he was resolved to bestow on him an academical education, but durst not name a college for fear of detection. He was for some time, according to the author of his life, clerk to Mr. Jefferys, of Earl's Coomb, in Worcestershire, an eminent justice of the peace. In his service he had not only leisure for study, but for recreation: his amusements were music and painting; and the reward of his pencil was the friendship of the celebrated Cooper. Some pictures said to be his were shown to Dr. Nash at Earl's Coomb; but when he inquired for them some years afterwards, he found them destroyed to stop windows, and owns that they hardly deserved a better fate. He was afterwards admitted into the family of the Countess of Kent, where he had the use of a library; and so much recommended himself to Selden, that he was often employed by him in literary business. Selden, as is well known, was steward to the countess, and is supposed to have gained much of his wealth by managing her estate. In what character Butler was admitted into that lady's service, how long he continued in it, and why he left it, is, like the other incidents of his life, utterly unknown. The vicissitudes of his condition placed him afterwards in the family of Sir Samuel Luke, one of Cromwell's officers. Here he observed so much of the character of the sectaries, that he is said to have written or begun his poem at this time; and it is likely that such a design would be formed in a place where he saw the principles and practices of the rebels audacious and undisguised in the confidence of success. At length the king returned, and the time came in which loyalty hoped for its reward. Butler, however, was only made secretary to the Earl of Carbury, president of the Principality of Wales, who conferred on him the stewardship of Ludlow Castle, when the Court of the Marches was revived. In this part of his life he married Mrs. Herbert, a gentlewoman of a good family; and lived, says Wood, upon her fortune, having studied the common law, but never practised it. A fortune she had, says his biographer, but it was lost by bad securities. In 1663 was published the first part, containing three cantos, of the poem of Hudibras, which, as Prior relates, was made known at court by the taste and influence of the Earl of Dorset. When it was known, it was necessarily admired; the king quoted, the courtiers studied, and the whole party of the royalists applauded it. Every eye watched for the golden shower which was to fall upon the author, who certainly was not without his part in the general expectation. In 1664 the second part appeared; the curiosity of the nation was rekindled, and the writer was again praised and elated. But praise was his whole reward. Clarendon, says Wood, gave him reason to hope for "places and employments of value and credit;" but no such advantages did he ever obtain. It is reported that the king once gave him three hundred guineas; but of this temporary bounty I find no proof.* Wood relates that he was secretary to Villiers, Duke of Buckingham, when he was Chancellor of Cambridge: this is doubted by the other writer, who yet allows the duke to have been his frequent benefactor. That both these accounts are false, there is reason to suspect, from a story told by Packe, in his account of the life of Wycherley; and from some verses which Mr. Thyer has published in the author's remains. "Mr. Wycherley," says Packe, "had always laid hold of an opportunity which offered of representing to the Duke of Buckingham how well Mr. Butler had deserved of the royal family, by writing his inimitable Hudibras; and that it was a reproach to the court, that a person of his loyalty and wit should suffer in obscurity, and under the wants he did. The duke always seemed to hearken to him with attention enough, and after some time undertook to recommend his pretensions to his majesty. Mr. Wycherley, in hopes to keep him steady to his word, obtained of his grace to name a day when he might introduce that modest and unfortunate poet to his new patron. At last an appointment was made, and the place of meeting was agreed to be the Roebuck. Mr. Butler and his friend attended accordingly; the duke joined them; but as the devil would have it, the door of the room where they sat was open; and his grace, who had seated himself near it, observing a pimp of his acquaintance (the creature too was a knight) trip by with a brace of ladies, immediately quitted his engagement to follow another kind of business, at which he was more ready than in doing good offices to men of desert, though no one was better qualified than he, both in regard to his fortune and understanding, to protect them; and from that time to the day of his death, poor Butler never found the least effect of his promise." Such is the story. The verses are written with a degree of acrimony such as neglect and disappointment might naturally excite, and such as it would be hard to imagine Butler capable of expressing against a man who had any claim to his gratitude. Notwithstanding this discouragement and neglect, he still prosecuted his design; and in 1678 published the third part, which still leaves the poem imperfect and abrupt. How much more he originally intended, or with what events the action was to be concluded, it is vain to conjecture. Nor can it be thought strange that he should stop here, however unexpectedly. To write without reward is sufficiently unpleasing. He had now arrived at an age when he might think it proper to be in jest no longer, and perhaps his health might now begin to fail. He died in 1680; and Mr. Longueville, having unsuccessfully It is said his majesty ordered Butler the sum of three thousand pounds; but the order being written in figures, somebody through whose hands it passed, by cutting off a cipher, reduced it to three hundred. It passed all the offices without any fee, at the solicitation of Mr. William Longueville of the Temple, Lord Danby being at that time high treasurer. When Mr. Longueville brought this order to Mr Butler, calling to mind that he owed more than that sum to different persons, he desired Mr. Longueville to pay away the whole gratuity, which that gentleman did accordingly, and Butler did not receive a shilling of the king's bounty. This seems to have been the only court favour he ever received. solicited a subscription for his interment in Westminster Abbey, buried him at his own cost in the churchyard of Covent Garden.* Dr. Simon Patrick read the service. Granger was informed by Dr. Pearce, who named for his authority Mr. Lowndes of the treasury, that Butler had a yearly pension of an hundred pounds. This is contradicted by all tradition, by the complaints of Oldham, and by the reproaches of Dryden ; and I am afraid will never be confirmed. About sixty years afterwards, Mr. Barber, a printer, Mayor of London, and a friend to Butler's principles, bestowed on him a monument in Westminster Abbey, thus inscribed: M. S. SAMUELIS BUTLERI, Qui Strenshamiæ in agro Vigorn. nat. 1612, Vir doctus imprimis, acer, integer; Deesset etiam mortuo tumulus, JOHANNES BARBER, civis Londinensis, 1721. After his death were published three small volumes of his posthumous works, I know not by whom collected, or by what authority ascertained ;* and lately, two volumes more have been printed by Mr. Thyer, of Manchester, indubitably genuine. From none of these pieces can his life be traced, or his character discovered. Some verses in the last collection show him to have been among those who ridiculed the institution of the Royal Society, of which the enemies were for some time very numerous and very acrimonious: for what reason it is hard to conceive, since the philosophers professed not to advance doctrines, but to produce facts; and the most zealous enemy of innovation must admit the gradual progress of experience, however he may oppose hypothetical temerity. In this mist of obscurity passed the life of Butler, a man whose name can only perish with his language. The mode and place of his education are unknown; the events of his life are variously related; and all that can be told with certainty is, that he was poor. The poem of Hudibras is one of those compositions of which a nation may justly boast; as the images which it exhibits are domestic, the sentiments unborrowed and unexpected, and the strain of diction original and peculiar. We must not, however, suffer the pride which we assume as the countrymen of Butler to make any encroachment upon justice, nor appropriate those honours which others have a right * In a note in the Biographia Britannica, p. 1075, he is said, on the authority of the younger Mr. Longueville, to have lived for some years in Rosestreet, Covent Garden, and also that he died there: the latter of these particulars is rendered highly probable, by his being interred in the cemetery of that parish. to share. The poem of Hudibras is not wholly English; the original idea is to be found in the history of Don Quixote, a book to which a mind of the greatest powers may be indebted without disgrace. Cervantes shows a man who, having, by the incessant perusal of incredible tales, subjected his understanding to his imagination, and familiarised his mind by pertinacious meditation to trains of incredible events and scenes of impossible existence, goes out in the pride of knighthood to redress wrongs and defend virgins, to rescue captive princesses, and tumble usurpers from their thrones; attended by a squire, whose cunning, too low for the suspicion of a generous mind, enables him often to cheat his master. The hero of Butler is a Presbyterian justice, who, in the confidence of legal authority and the rage of zealous ignorance, ranges the country to repress superstition and correct abuses, accompanied by an Independent clerk, disputatious and obstinate, with whom he often debates, but never conquers him. Cervantes had so much kindness for Don Quixote, that however he embarrasses him with absurd distresses, he gives him so much sense and virtue as may preserve our esteem; wherever he is or whatever he does, he is made by matchless dexterity commonly ridiculous, but never contemptible. But for poor Hudibras his poet had no tenderness; he chooses not that any pity should be shown or respect paid him; he gives him up at once to laughter and contempt, without any quality that can dignify or protect him. In forming the character of Hudibras, and describing his person and habiliments, the author seems to labour with a tumultuous confusion of dissimilar ideas. He had read the history of the mock knights-errant; he knew the notions and manners of a Presbyterian magistrate; and tried to unite the absurdities of both, however distant, in one personage. Thus he gives him that pedantic ostentation of knowledge which has no relation to chivalry, and loads him with martial encumbrances that can add nothing to his civil dignity. He sends him out a coloneling, and yet never brings him within sight of war. If Hudibras be considered as the representative of the Presbyterians, it is not easy to say why his weapons should be represented as ridiculous or useless; for whatever judgment might be passed upon their knowledge or their arguments, experience had sufficiently shown that their swords were not to be despised. The hero, thus compounded of swaggerer and pedant, of knight and justice, is led forth to action, with his squire Ralpho, an Independent enthusiast. Of the contexture of events planned by the author, which is called the action of the poem, since it is left imperfect, no judgment can be made. It is probable that the hero was to be led through many luckless adventures, which would give occasion, like his attack upon the bear and fiddle, to expose the ridiculous rigour of the sectaries; like his encounter with Sidrophel and Whackum, to make superstition and credulity contemptible; or like his recourse to the low retailer of the law, discover the fraudulent practices of different professions. What series of events he would have formed, or in what manner he would have rewarded or punished his hero, it is now vain to conjecture. His work must have had, as it seems, the defect which Dryden imputes to Spenser; the action could not have been one; there could only have been a succession of incidents, each of which might have happened without the rest, and which could not all co-operate to any single conclusion. The discontinuity of the action might, however, have been easily forgiven, if there had been action enough; but I believe every reader regrets the paucity of events, and complains that in the poem of Hudibras, as in the history of Thucydides, there is more said than done. The scenes are too seldom changed, and the attention is tired with long conversation. It is indeed much more easy to form dialogues than to contrive adventures. Every position makes way for an argument, and every objection dictates an answer. When two disputants are engaged upon a complicated and extensive question, the difficulty is not to continue, but to end the controversy. But whether it be that we comprehend but few of the possibilities of life, or that life itself affords little variety, every man who has tried knows how much labour it will cost to form such a combination of circumstances as shall have at once the grace of novelty and credibility, and delight fancy without violence to reason. Perhaps the dialogue of this poem is not perfect. Some power of engaging the attention might have been added to it by quicker reciprocation, by seasonable interruptions, by sudden questions, and by a nearer approach to dramatic sprightliness; without which, fictitious speeches will always tire, however sparkling with sentences, and however variegated with allusions. The great source of pleasure is variety. Uniformity must tire at last, though it be uniformity of excellence. We love to expect; and when expectation is disappointed or gratified, we want to be again expecting. For this impatience of the present, whoever would please must make provision. The skilful writer irrital, mulcet, makes a due distribution of the still and animated parts. It is for want of this artful intertexture, and those necessary changes, that the whole of a book may be tedious, though all the parts are praised. If inexhaustible wit could give perpetual pleasure, no eye would ever leave half-read the work of Butler; for what poet has ever brought so many remote images so happily together? It is scarcely possible to peruse a page without finding some association of images that was never found before. By the first paragraph the reader is amused, by the next he is delighted, and by a few more strained to astonishment: but astonishment is a toilsome pleasure; he is soon weary of wondering, and longs to be diverted. "Omnia vult belle Matho dicere, dic aliquando Imagination is useless without knowledge; nature gives in vain the power of combination, unless study and observation supply materials to be combined. Butler's treasures of knowledge appear proportioned to his expense; whatever topic employs his mind, he |
