THE CLIMAX IS REACHED.

479

dred, added the puppy Brummell to the list, and treated him with a kindness in which little condescension was mixed. But neither impudence nor the blood-royal can keep a man out of debt, especially when he plays. The Beau got deeper and deeper into the difficulty, and at last some mysterious quarrel about money with a gentleman who thenceforward went by the name of Dick the Dandy-killer, obliged him to think of place and poverty in another land. He looked in vain for aid, and among others Scrope Davies was written to to lend him two hundred,' because his money was all in the three per cents.' cents.' Scrope replied laconically

'MY DEAR GEORGE,

'It is very unfortunate, but my money is all in the three per cents. Yours,

'S. DAVIES.'

It was the last attempt. The Beau went to the opera, as usual, and drove away from it clear off to Dover, whence the packet took him to safety and slovenliness in the ancient town of Calais. His few effects were sold after his departure. Porcelaine, buhl, a drawing or two, double-barrelled Mantons (probably never used), plenty of old wine, linen, furniture, and a few well-bound books, were the Beau's assets. His debts were with half the chief tradesmen of the West End and a large number of his personal friends.

The climax is reached: henceforth Master George Bryan Brummell goes rapidly and gracefully down the hill of life.

The position of a Calais beggar was by no means a bad one, if the reduced individual had any claim whatever to distinction. A black-mail was sedulously levied by the outcasts and exiles of that town on every Englishman who passed through it; and in those days it was customary to pass some short time in this entrance of France. The English 'residents' were always on the look-out, generally crowding round the packet-boat, and the new arrival was sure to be

450

THE BLACK-MAIL OF CALAIS.

accosted by some old and attached friend, who had not seen him for years. Just as Buttons, who is always breaking the plates and tumblers, has the invariable mode of accounting for his carelessness, they fell apart, sir, in my 'ands!' so these expatriated Britons had always a tale of confidence misplaced-security for a bond-bail for a delinquent, or in short any hard case, which compelled them, much against their wills, to remain for a period' on the shores of France. To such men, whom you had known in seven-guinea waistcoats at White's and Watier's, and found in seven-shilling coats on the Calais pier, it was impossible to refuse your five-pound note, and in time the black-mail of Calais came to be reckoned among the established expenses of a Continental tour.

Brummell was a distinguished beggar of this description, and managed so adroitly that the new arrivals thought themselves obliged by Mr. Brummell's acceptance of their donations. The man who could not eat cabbages, drive in a hackney-coach, or wear less than three shirts a day, was now supported by voluntary contributions, and did not see anything derogatory to a gentleman in their acceptance. If Brummell had now turned his talents to account; if he had practised his painting, in which he was not altogether despicable; or his poetry, in which he had already had some trifling success: if he had even engaged himself as a waiter at Quillacq's, or given lessons in the art of deportment, his fine friends from town might have cut him, but posterity would have withheld its blame. He was a beggar of the merriest kind. While he wrote letters to friends in England, asking for remittances, and describing his wretched condition on a bed of straw and eating bran bread, he had a good barrel of Dorchester ale in his lodgings, his usual glass of maraschino, and his bottle of claret after dinner; and though living on charity, could order new snuff-boxes to add to his collection, and new knick-knacks to adorn his room. There can be no

GEORGE THE GREATER AND GEORGE THE LESS. 481

pity for such a man, and we have no pity for him, whatever the rest of the world may feel.

Nothing can be more contemptible than the gradual downfall of the broken beau. Yet, if it were doubted that his soul ever rose above the collar of a coat or the brim of a hat, his letters to Mr. Raikes in the time of his poverty would settle the question. 'I heard of you the other day in a waistcoat that does you considerable credit, spick-and-span from Paris, a broad stripe, salmon-colour, and cramoisé. Don't let them laugh you into a relapse-into the Gothic-as that of your former English simplicity.' He speaks of the army of occupation as rascals in red coats waiting for embarkation.' English education,' he says in another letter, may be all very well to instruct the hemming of handkerchiefs, and the ungainly romps of a country-dance, but nothing else; and it would be a poor consolation to your declining years to see your daughters come into the room upon their elbows, and to find their accomplishments limited to broad native phraseology in conversation, or thumping the "Woodpecker" upon a discordant spinet.' And he proceeds to recommend a 'good French formation of manners,' and so forth.

6

Nor did he display any of that dignity and self-respect which are generally supposed to mark the 'gentleman.' When his late friend and foe, by this time a king, passed through Calais, the Beau, broken in every sense, had not pride enough to keep out of his way. Many stories are told of the manner in which he pressed himself into George IV.'s notice, but the various legends mostly turn upon a certain snuff-box. According to one quite as reliable as any other, the Prince and the Beau had in their days of amity intended to exchange snuff-boxes, and George the Greater had given George the Less an order on his jeweller for a tabatière with his portrait on the top. On their quarrel this order was, with very bad taste, rescinded, although Brummell's snuff-box had already passed into the Prince's hands and had not been